To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Better Hierarchy Management Coming to After Effect

January 11, 2018, 02:01 PM

http://lesterbanks.com/2018/01/hierarchy-managemen...

Mike Overbeck’s Squirrel Brings a C4D-Like Object Browser & Hierarchy Management After Effects Better layer and hierarchy management are headed for After Effects, thanks to third-party developer Mike Overbeck. Actually, “better” implies that After Effects has some The Post Better Hierarchy Management Coming to After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks

Monky VFX Breakdown

January 11, 2018, 06:12 AM

http://www.cgmeetup.net/home/monky-vfx-breakdown/

Haymaker – This is a Visual Effects Breakdown of a few of the shots we created for Monky (2017) directed by Maria Blom.

UTÖKA Signs Motion Designer Charlie Erholm

January 10, 2018, 06:42 PM

https://www.aotg.com/utoka-signs-motion-designer-charlie-erholm/

UTÖKA CCO, Ed Dye, has announced that motion designer Charlie Erholm has joined his recently launched Atlanta-based creative agency. The design-driven boutique adds Erholm to a multi-disciplined team with a collaborative approach to developing visual identity-driven brand strategies and concepts that provide direction for the crafting of compelling deliverables across multiple platforms.

#commercials#utoka#creative agency#signing#motion designer#charlie erholm#ed dy
Miller Displays Latest Fluid Head at CABSAT 2018

January 9, 2018, 02:36 PM

https://www.aotg.com/miller-displays-latest-fluid-head-at-cabsat-2018/

Miller Tripods, a leader in the production of innovating camera support solutions, will display its new CompassX series (CX) at the Future Art Broadcast Trading L.T.D. stand (ZB5-B40) at CABSAT 2018.

#miller#miller camera support#cabsat
Designing the Retro-Tech Look of the Future in Bla

January 8, 2018, 06:00 PM

http://www.studiodaily.com/2018/01/designing-retro...

Since its inception in 2010, Los Angeles design and creative visual effects studio Cantina Creative has earned an enviable list of credits that includes blockbusters such as Spider-Man Homecoming, Fate of the Furious, Avengers: Age of Ultron, Captain America: Civil War, The Hunger Games, Guardians of the Galaxy, Iron Man 3 and many more. Recently, Cantina […] The post Designing the Retro-Tech Look of the Future in Blade Runner 2049 appeared first on Studio Daily.

VFX Expert Breaks down history of Shrinking People

January 8, 2018, 12:47 PM

https://www.aotg.com/vfx-expert-breaks-down-history-of-shrinking-people/

Downsizing VFX Supervisor Jamie Price breaks down the history of people miniaturization in movies. In this timeline, Price explains the special effects techniques like forced perspective, compositing, the Schüfftan process, rotoscoping, motion control, motion capture and more. Movies include Bride of Frankenstein, Dr. Cylops, The Incredible Shrinking Man, Darby O'Gill and the Little People, Hook, The Indian in the Cupboard, The Lord of the Rings franchise, Ant-Man, and, of course, Downsizing.

CRAFTING NEW EFFECTS FRONTIERS IN THE LAST JEDI

January 8, 2018, 12:47 PM

http://vfxvoice.com/crafting-new-effects-frontiers...

Few film releases in 2017 were as anticipated as Rian Johnson’s Star Wars: The Last Jedi, the follow-up to The Force Awakens and the continuation of the stories surrounding the Resistance’smovement against the evil First Order. The movie continues tofollow the plights of the scavenger Rey (Daisy Ridley), self-exiledJedi Master Luke Skywalker (Mark Hamill) and Kylo Ren (AdamDriver), the servant to Supreme Leader Snoke (Andy Serkis) andson of Han Solo (Harrison Ford) and Leia Organa (Carrie Fi...

KINGSMAN - THE GOLDEN CIRCLE: Robot Dogs

January 8, 2018, 12:46 PM

http://www.artofvfx.com/kingsman-the-golden-circle...

The team of Sony Pictures Imageworks talks about the creation of the Robot Dogs for KINGSMAN – THE GOLDEN CIRCLE...

Contender: Visual Effects Supervisor Dennis Berard

January 6, 2018, 01:24 PM

http://www.btlnews.com/blog-the-line/contender-vis...

          In a dream-like state, the viewer floats through a blue underwater apartment filled with furniture and photographs, settling on the waking face of Eliza (Sally Hawkins). This magical setting opens director Guillermo del Toro’s The Shape of Water. The VFX team, lead by visual effects supervisor Dennis Berardi, helped create […] The post Contender: Visual Effects Supervisor Dennis Berardi The Shape of Water appeared first on Below the Line.

The 3 Effects Techniques In The Shape of Water

January 5, 2018, 05:30 PM

http://www.cartoonbrew.com/feature-film/3-effects-...

Guillermo del Toro’s The Shape of Water has already been widely praised for its remarkable portrayal of a love story between an underwater creature and a mute custodian of the government lab that holds the strange being.

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