It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 24, 2015, 04:14 PM
https://www.aotg.com/the-sound-of-kurt-cobain-montage-of-heck/
In this exclusive SoundWorks Collection sound profile we talk with Director Brett Morgen and his sound team including sound designer and re-recording mixer Cameron Frankly and sound and music editor Jon Michaels about their work on the documentary Kurt Cobain: Montage of Heck which is moderated by Michael Coleman from SoundWorks Collection.
August 24, 2015, 03:11 PM
https://www.aotg.com/optitrack-siggraph-2015-half-court-mocap/
Motion capture is an incredible production tool with increasingly varied applications, as OptiTrack recently demonstrated while tracking basketball players on a half court. Players went head-to-head, shot hoops and performed various tricks in an authentic setup with a scoreboard, buzzer and court paint. The players’ positional and orientation data was then retargeted onto animated characters and displayed on monitors in real-time.
#motion capture#mocap#optitrack#siggraphAugust 24, 2015, 12:23 PM
http://www.btlnews.com/crafts/post-production/myth...
Mytherapy founder and chief colorist Dado Valentic recently relied on DaVinci Resolve to color correct British sci-fi comedy Absolutely Anything starring Simon Pegg. The post Mytherapy Grades Absolutely Anything appeared first on Below the Line.
August 24, 2015, 12:23 PM
http://www.btlnews.com/awards/vfx-shop-fusefx-head...
It's been a busy year for Burbank-based visual effects facility FuseFX. Known for its flexible, fast and deft handling of VFX across a surprisingly wide palette of feature film, episodic television and commercial projects, the studio expanded to New York and Vancouver last fall while continuing to create, on breakneck schedules, some of the most breathtaking and prolific effects work on television for Blacklist, Marvel's Agents of S.H.I.E.L.D. and American Horror Story: Freak Show. In Febr...
August 24, 2015, 12:22 PM
http://www.provideocoalition.com/after-effects-hid...
The Stroke effect in After Effects is a workhorse, but it has one major limitation: It’s width is constant over the entire length of the stroke. You can edit and even animate its Brush Size parameter, but this changes the entire stroke. Wouldn’t it be nice if you could make a stroke become thicker or thinner at select points along its shape? You can: It’s called the Write-on effect.
August 24, 2015, 12:22 PM
http://postperspective.com/panel-future-post-4k-hd...
By Larry Jordan Last week I had the pleasure of moderating a panel sponsored by KeyCode Media and Sony on “The Future of Post: 4K and HDR.” We spent 90 minutes discussing whether it was time for editors and post facilities to start editing 4K and/or HDR images, and what changes these new formats would require. The panel featured Michael Cioni, president, Light Iron; Mike Whipple, executive director of post, Sony Pictures Entertainment; and Bryan McMahan, senior digital colorist, Mod...
August 24, 2015, 12:22 PM
http://alex4d.com/notes/item/apple-and-youtubers
MacRumors reports that Apple is in talks with popular YouTube channels to involve them in a big promotional campaign: Although their styles don't mesh together, Apple could be creating a new ad campaign, possibly for the upcoming "iPhone 6s" and "iPhone 6s Plus," that centers on creatives from YouTube using the company's new products as the main tools for shooting, editing, and publishing content for their channel. I don’t think MacRumors understands what YouTubers could do f...
August 24, 2015, 12:22 PM
https://www.rocketstock.com/blog/how-to-fake-a-vhs...
If you’re trying to give your footage a nostalgic VHS-style look, After Effects is the perfect program. However, sometimes making footage look the “right kind of bad” is just as hard as making it look good. To make the process easier, we’ve created a free After Effects template to help you create a realistic distorted VHS look. Just follow these easy steps:
August 24, 2015, 12:22 PM
http://www.moviemaker.com/archives/news/five-rules...
Unfortunately, considerably less time—if any—is given to the grueling hours they’ll spend in pricey editing suites, with equally pricey equipment, putting the damn things together.
August 24, 2015, 12:21 PM
http://www.animatorisland.com/what-animation-advic...
Great animation comes from experience. The more you animate, the better you’ll get. Still, there are a lot of helpful things you learn along the way, some of which you discover and immediately think “Why didn’t someone tell me this a long time ago?!”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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