It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 13, 2015, 05:40 AM
https://www.aotg.com/interview-with-gilles-deschaud-3d-printing-filmm/
Interview with filmmaker Gilles-Alexandre Deschaud spent two years 3D printing 2,500 parts to create each frame of the film. From the characters to the set, all elements were printed using the Formlabs’ Form 1+ SLA 3D Printer. Each precise detail comes together to form a beautiful representation of a magical world.
August 13, 2015, 05:37 AM
https://www.foxoms.com/blog/2015/08/13/pixar-anima...
Did you see that hover-board Lexus previewed last week? If its ever felt like the future, now is it! But it seems for every step we take towards living like the Jetsons, we also make life harder for ourselves, like… The post Pixar Animation Studio’s Universal Scene Description to be Open-Sourced appeared first on FoxOMS.
August 13, 2015, 05:37 AM
http://www.redsharknews.com/technology/item/2789-t...
It's an unfortunate situation to say the least, but the fact is that motion blur can completely wipe out the advantages of very high resolution video. 8K4K300 fps300fpsMotion Blur
August 13, 2015, 05:37 AM
http://masteringfilm.com/interview-with-tim-bevan-...
The following is an excerpt from an interview with Tim Bevan featured in FilmCraft:Producing. In commercial terms, Working Title Films, the production company that Tim Bevan helped found and co-chairs, is the most successful UK outfit of its generation. From Bridget Jones’s Diary (2001) to Four Weddings and a Funeral (1994), Notting Hill (1999), and...
August 13, 2015, 05:36 AM
http://www.postmagazine.com/Post-Blog/2015/August/...
Today was hands down the best day I've ever had at SIGGRAPH in my many years of attending, and I thought I would reflect on something for a moment that anyone working in this industry should consider. As I'm sitting here in my living room at midnight writing this recap with a snifter of cognac in hand, prepared to head outside afterwards to catch a glimpse of the perseid meteor shower, my wife sleeping in the chair next to me and my son fast asleep in the other room, it occurs to me that a...
August 13, 2015, 05:36 AM
http://saeditores.org/Novedades/Sonido-aplicado-pa...
La Comisión de Cultura y Desarrollo Profesional de la SAE organiza el curso Sonido aplicado, herramientas para el procesamiento del sonido en la edición offline, dictado por Leandro de Loredo.Se desarrollará durante cuatro jornadas, los días 3, 10, 17 y 24 de septiembre, de 20 a 23 horas, en el estudio Tres Sonido, Manuela Pedraza 3350, Timbre 1, Ciudad de Buenos Aires.
August 13, 2015, 05:36 AM
http://tracking.feedpress.it/link/9766/1626244
Bust out your Nintendo 64 and chow down on some birthday cake because our favorite red-hatted plumber is turning 30 this year! To celebrate, we’re giving you a step-by-step tutorial on how to recreate your own Super Mario title with Titler Pro 4.
August 13, 2015, 05:36 AM
http://blogs.adobe.com/aftereffects/2015/08/compos...
In After Effects CC 2014 (13.0), we added a Compositing Options property group in the Timeline panel for every effect, which includes a couple of very powerful compositing controls: By default, the Compositing Options property group includes an Effect Opacity property, which can be thought of as providing the same functionality as the Blend With Original control found in a few effects in previous versions of After Effects. You can also add any number of mask references to an effect to con...
August 13, 2015, 05:35 AM
http://www.cgmeetup.net/home/sculpting-stone-in-bl...
In this time-lapse video we’ll see stone sculpting with Dynamic Topology. 3 brushes were used: Scrape/Peak brush, Clay Strips and Crease.
August 13, 2015, 05:35 AM
http://cgvilla.com/2015/08/12/realflow-and-aotg-co...
On August 19th, join Aotg.com and Tim Hanson to discuss the VFX and post process of The Avengers: Age of Ultron. Ask him about his process, techniques, the tools he uses, and more!.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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