To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FCP/Adobe Premiere Pro to DaVinci Resolve Prep

December 21, 2012, 07:39 AM

http://www.blackmagicuser.net/topic/297-fcp-adobe-...

In this video tutorial Denver Riddle shows you how to prepare your FCP7, FCPX and Adobe Premiere project for color grading in DaVinci Resolve 9.

QuickStream

December 20, 2012, 09:32 PM

http://timelinebook.tumblr.com/post/38422489413

The monthly excerpt from John Buck’s book, ‘Timeline’. Available at iBooks and Amazon...

Codex Fuels 3D Workflow for

December 20, 2012, 09:32 PM

http://ryansalazar.net/index.php/2012/12/codex-fue...

Codex recorders capture stereo streams from paired Arri  Alexa cameras used to shoot the 3D movie. Codex technology occupied a key position in a groundbreaking 3D workflow used in the production of Life of Pi, the new, epic adventure film from 20th Century Fox and Academy Award-winning director Ang Lee. Codex recorders were used on [...]

Informative Smoke 2013 Video Demo

December 20, 2012, 09:32 PM

http://www.premiumbeat.com/blog/smoke-2013-demo/

Thinking about switching to Smoke 2013 for video editing? This video demonstrates the features in Smoke 2013, and the Smoke post-production process. Tons of useful info.

From the Mind of Seth Worley, and the Innovation

December 20, 2012, 09:32 PM

http://ryansalazar.net/index.php/2012/12/mind-seth...

Hey guys – I thought you’d like to see the latest (and most amazing) Seth Worley/Red Giant creation yet: Tempo. Seth really goes for it, tapping into that incredible creativity and imagination, and uses just about every Red Giant tool in the tool kit. Check it out here: http://www.redgiantsoftware.com/news/featured/tempo/ Enjoy!

Professional Video Editing Just Got Better

December 20, 2012, 09:32 PM

http://ryansalazar.net/index.php/2012/12/professio...

Endorsed by twenty five thousand Facebook fans, six industry awards and thousands of new users through the trial download and active forum communities, Autodesk, Inc., (NADSAQ: ADSK) announced that the new Autodesk Smoke 2013, professional video editing software is now shipping. "The anticipation for Smoke, since its thrilling announcement at the National Association of Broadcasters...

#autodesk#smoke 2013
WYSIWYG to Waveform Monitors

December 20, 2012, 09:30 PM

http://www.creativeplanetnetwork.com/dv/feature/dv...

Back in my day (yes, you can visualize me sitting in a rocking chair with a smoldering pipe in one hand and an afghan on my lap, peering out at you over the tops of half-moon spectacles, if you so wish) the light meter was a cinematographer’s best friend: a primary tool and an invaluable asset. Although there were exceptions—the late Douglas Slocombe, ASC, BSC, could famously call out the exposure based only on looking at the scene—they were extremely rare. Even the most experienced and...

#waveform#monitors
Color correction costs may outweigh savings

December 20, 2012, 09:29 PM

http://broadcastengineering.com/editing/color-corr...

The EBU has warned that the post-production color correction costs required for video shot under LED lighting could outweigh the power savings compared with traditional tungsten lights. This is a setback for the LED movement, which thought it had cast tungsten lighting into history as a result of not just of the greatly reduced energy consumption but also other advantages, notably lower maintenance and heat production.

#color#correction
AVID AMA- Avid Media Access

December 20, 2012, 09:29 PM

http://www.reidvanvoris.com/2012/12/avid-ama-avid-...

AVID AMA- Avid Media Access, Pt. 1, AVID AMA- Avid Media Access, Pt.2 - Features, AVID AMA- Avid Media Access, Pt. 3 - Plugins

#avid#mc6#nle#media composer 6

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