It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 9, 2015, 04:36 PM
http://nofilmschool.com/2015/07/edit-timelapse-wat...
For the past week, Kendrick Lamar's latest music video has been taking the internet by storm, and for good reason. For starters, it provides a timely response to the culture of police brutality that has spewed to the surface of popular awareness in the past year. From an artistic perspective, however, the video itself is a masterpiece. Shot in stunning high-contrast black and white by cinematographers Rob Witt and Corey Jennings, and directed by rising star director Colin Tilley, the music video...
July 9, 2015, 04:36 PM
https://www.aotg.com/varicam-live-color-grading-camera-setup-part-1/
One of the great features of the Panasonic VariCam 35 is its built in color management. The camera can record in VariCam Log while applying look up tables (LUTs) to all outputs, including the viewfinder. The camera can load in both 3D LUTs for full color adjustment, as well as CDLs (Color Decision Lists) for basic Lift, Gamma, Gain and Saturation adjustments. While these LUTs and CDL files can be loaded in via an SD card, what really makes this camera unique is that it can also be live graded.
July 9, 2015, 04:36 PM
http://boingboing.net/2015/07/09/3-tb-external-har...
I was a mechanical engineer in the 1980s. I was a quality assurance engineer and a development engineer in the disk drive industry. My first job was at Memorex in Santa Clara, CA. We actually manufactured the drives there.
July 9, 2015, 04:35 PM
https://www.aotg.com/sennheiser-avx-digital-wireless-hands-on-review/
Sennheiser's new wireless system is incredibly easy to use, sports an outstanding form factor, and delivers excellent audio quality.
July 9, 2015, 01:56 PM
https://www.aotg.com/dpa-microphones-scores-big-with-fifa/
The FIFA Women's World Cup Canada 2015, presented by Fox Sports, drew to a close last weekend, with a total of 26.7 million viewers tuning into the month-long tournament, including Telemundo viewers.
July 9, 2015, 12:30 PM
http://renderplease.com/post/123653353455
July 9, 2015, 12:30 PM
http://www.studiodaily.com/2015/07/red-giant-updat...
Just a quick PSA: Red Giant has updated Red Giant Universe with three new effects, three new transitions, and a variety of new features and presets—including three new free tools and three new premium tools. If you're not a Red Giant … more » The post Red Giant Updates Universe with New Tools, Effects and Transitions appeared first on Studio Daily.
July 9, 2015, 12:29 PM
http://lesterbanks.com/2015/07/edit-uvs-in-mayas-3...
Easily use Maya's modeling tools to edit UV's directly in the viewport using SOUP's map to mesh node
July 9, 2015, 12:29 PM
http://www.studiodaily.com/2015/07/pixars-renderma...
Pixar released version 20 of its RenderMan software, introducing a new noise-reduction technology designed to more efficiently deal with artifacts created by physically based ray tracers. The company said the new denoising system has allowed a "massive" reduction in the … more » The post Pixar’s RenderMan Software Speeds Up Ray-Tracing Results appeared first on Studio Daily.
July 9, 2015, 12:29 PM
https://www.rocketstock.com/blog/premiere-pro-morp...
Back in 2010, Adobe released an feature in Photoshop CS5 that will would “magically” remove unwanted parts of an image. By analyzing the content of the image, the content aware fill tool would “make a best guess” on what the object would have looked like if the unwanted area never existed. It still exists in current versions of Photoshop, and while it has been improved over the years, it’s not a perfect tool. The recently released morph cut for Premiere Pro works on a similar level:
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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