To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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https://beforesandafters.com/2021/09/21/vfx-future...
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https://beforesandafters.com/2021/09/21/on-the-set...
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The Morning Watch VFX Artists React To DeAged Lu
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https://www.slashfilm.com/612134/the-morning-watch...
In this edition, see what the visual effects artists at Corridor Crew think of the work done on the de-aged Luke Skywalker created for the second season finale of "The Mandalorian." Plus, watch as Adam Savage gets up close with one of the jetpacks that was used during production of "The Rocketeer." And finally, listen to Regina King break down her career, from "Boyz n the Hood" to "Watchmen" and plenty more in between.
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https://www.allanmckay.com/317/
Why Some Special Effects Age Well (and Others Clearly Don’t)
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As part of its recent growth, UK-based CGI studio Realtime has brought on Libby Behrens as operations director. The studio, which works in the games, broadcast and automotive space and has credits including Sky TV’s A Discovery of Witches and BBC’s The War of the Worlds, Continue reading → September 14, 2021 The post CGI Studio Realtime Adds Libby Behrens as Operations Director appeared first on postPerspective.
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