It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 25, 2018, 08:49 AM
https://www.cartoonbrew.com/box-office-report/univ...
Universal is ending the year on a sour note thanks to back-to-back bombs of its two vfx-driven films: Christian Rivers’ Mortal Engines and Robert Zemeckis’ Welcome to Marwen. The failure of these films, which could reach between $150-200 million, will have a negative effect on other studios as well, who will now be more reluctant to invest in original vfx-driven films, continuing Hollywood’s reliance on franchises, sequels, and reboots for the foreseeable ftuure.
December 25, 2018, 08:48 AM
http://saeditores.org/Novedades/Konstruktion-Argen...
Una síntesis personal de la edición por sus artífices.
December 25, 2018, 08:47 AM
http://saeditores.org/Novedades/Los-120-la-Brigada...
Una síntesis personal de la edición por sus artífices
December 23, 2018, 07:17 AM
https://digitalfilms.wordpress.com/2018/12/23/edit...
There are many workflows that involve collaboration, with multiple editors and designers working on the same large project or group of projects. Let me say up front that if you want the best possible collaborative experience with multiple editors, then work with Avid Media Composer. Full stop. I have worked both sides of the equation […]
December 23, 2018, 07:17 AM
https://www.youtube.com/watch?v=yYd-3mTr_2I
Nick & Will cut "Searching". The indie thriller stars John Cho, won the 2018 Sundance Audience Award, made over $73 million at the box office, and was called by Trevor Noah "one of the most original and thrilling movies" he's ever watched. Get 6 FREE high-end music tracks from Music Vine (offer expires Feb. 28, 2019): https://thisguyedits.com/6freemusictracks Nick & Will's Q&A on Patreon: https://www.patreon.com/posts/22975416 Searching is available on Digital and Blu-ray no...
December 23, 2018, 07:16 AM
https://www.provideocoalition.com/aotc-spiderverse
Robert Fisher Jr. most recently served as lead editor on Sony Pictures Animation’s computer-animated Spider-Man: Into the Spider-Verse, now in theaters. Robert has been a member of the Sony Pictures Animation family since 2009 having worked on both Cloudy with a Chance of Meatballs films and the short, The Smurfs: A Christmas Carol.
December 22, 2018, 07:04 AM
https://www.aotg.com/editor-kevin-tent-ace-on-letting-assistants-shine/
Editor Kevin Tent, ACE on giving the chance to let his assistants shine on the film "Downsizing." From the "Inside the Cutting Room with Bobbie O’Steen" panel at Sight, Sound & Story on June 14th, 2018.
December 22, 2018, 07:04 AM
https://www.awn.com/animationworld/91st-oscars-10-...
On the heels of this week’s announcement of the 10 animated short films vying for a nomination at the 91st Academy Awards, here’s a closer look at the films that made the cut.
December 22, 2018, 07:04 AM
https://www.cinema5d.com/8-pro-tips-for-color-grad...
Color grading is still a mystery for many – together with our regular contributor Ollie Kenchington, we are releasing a short video giving 8 pro tips for color grading, from his amazing course “Mastering Color” for MZed.
December 21, 2018, 01:08 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SYDNEY — The Monkeys Melbourne, In The Thicket and Alt recently teamed up to create a new campaign for Asahi that takes viewers on a journey through landscapes built around surreal Japanese iconography. The shoot for the Enter Asahi spot took place at Sydney’s Fox Studios, with In The Thicket’s Marco Prestini directing and Genevieve Triquet executive producing. Alt was brought on to help realize the creative vison through visual effects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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