To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Understanding Matrices and Local Space transforms
December 20, 2018, 02:01 PM
https://lesterbanks.com/2018/12/matrices-local-spa...
FX TD Fabricio Chamon Gives a Comprehensive Overview for Working With Houdini Matrices and Local Space Transforms. If you are not a mathematician, when someone mentions matrices and local space transforms, your eyes may glaze
Trying to take a lunch break in my bay like
December 20, 2018, 02:01 PM
http://renderplease.tumblr.com/post/181272479770
Barry Brown on Editing BlackKklansman
December 20, 2018, 02:01 PM
https://www.goldderby.com/article/2018/barry-alexa...
When Spike Lee sent his longtime editor, Barry Alexander Brown, the script for “BlacKkKlansman” he was immediately “excited, and could see how this could be something pretty interesting.” That may be a bit of an understatement since the film recounts the improbable true story of Ron Stallworth (John David Washington), an African-American police officer who infiltrated the Ku Klux Klan in the late 1970s. Watch our exclusive video interview with Brown above.
Batch Export Clips from FCPX Timelines
December 20, 2018, 10:22 AM
https://www.provideocoalition.com/batch-export-cli...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can export individual clips from a timeline as a batch in Final Cut Pro X.
Acclaimed Editor Anne McCabe, joins Our Next Six W
December 20, 2018, 10:19 AM
http://manhattaneditworkshop.blogspot.com/2018/12/...
MEWShop proudly announces that acclaimed editor Anne McCabe, ACE, will join our January/February 2019 Six Week Intensive.Anne McCabe started in the cutting rooms of Woody Allen, Brian de Palma, and Sidney Lumet. She has collaborated with Director Greg Mottola on several projects, including The Daytrippers, Adventureland, and the award-winning pilot for HBO’s The Newsroom. She also worked closely with Kenneth Lonergan on the Academy Award-nominated film You Can Count On Me, and Mar...
Free Sound Effects Available For A Limited Period
December 20, 2018, 05:39 AM
https://www.pro-tools-expert.com/home-page/2018/12...
The Holiday Period - Get Them Before They Are Gone We have noticed a number of sound effects providers are putting out some free sound effect libraries or samplers for a limited period over the Christmas holiday period. Most of these are time limited so do not delay. Get them before they are gone.
Joe Walker on Cutting Widows
December 20, 2018, 05:39 AM
https://filmmakermagazine.com/106489-joe-walker-st...
“A stroke, and then a slap,” says editor Joe Walker. That’s how director Steve McQueen described the tone he wanted in the opening scenes of Widows. The movie opens with a remarkable sequence, intercutting glimpses of the main characters’ family lives with images from a horrifically bloody heist gone wrong — showing, in effect, how four of the women at the heart of the film become widows. So, for example, we see Viola Davis’s Veronica Rawlings passionately kissing her husband Harry (...
Black Panther and The Editing Oscar Race
December 20, 2018, 05:39 AM
https://www.goldderby.com/article/2018/black-panth...
“I always felt the weight of the film,” reveals “Black Panther” editor Debbie Berman. “I knew how important it would be to people, but I never in a million years saw it blowing up the way it did.” Watch our exclusive video interview with Berman and co-editor Michael P. Shawver above.
Making audio pop for Disney’s Mary Poppins Retur
December 20, 2018, 05:38 AM
https://postperspective.com/making-audio-pop-for-d...
By Jennifer Walden As the song says, “It’s a jolly holiday with Mary.” And just in time for the holidays, there’s a new Mary Poppins musical to make the season bright. In theaters now, Disney’s Mary Poppins Returns is directed by Rob Marshall, who with Chicago, Nine and Into the Woods on his resume, Continue reading → December 19, 2018 The post Making audio pop for Disney’s Mary Poppins Returns appeared first on Randi Altman's postPerspective.
Substance Painter to Mari Workflow, How to Bake Me
December 19, 2018, 01:22 PM
https://lesterbanks.com/2018/12/painter-mari-bake-...
Meshmen Studio Shows How to Use Substance PAinter to Bake Mesh Maps for Mari. Mari represents the epitome of 3D painting, yet there are some workflows in Mari that are still going through some growing
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