To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
RSP sees 2019 as big year for VFX education
December 21, 2018, 10:10 AM
http://www.postmagazine.com/Press-Center/Daily-New...
ADELAIDE, SOUTH AUSTRALIA — As 2018 comes to a close, Rising Sun Pictures Education (rsp.com.au) can look back on a year that saw its program grow, its partnership with the University of South Australia deepen and a record number of its graduates find meaningful employment in a booming visual effects industry. The only visual effects training program in Australia based within a working studio, the school has even more ambitious goals for 2019. Its plans include a new series of on-site cour...
When someone says we’re leaving early today
December 21, 2018, 10:10 AM
http://renderplease.tumblr.com/post/181297885985
Filmic adds Log V2 to FilmicPro
December 21, 2018, 10:10 AM
https://postperspective.com/filmic-adds-log-v2-to-...
Filmic has added Log V2 within FilmicPro, its mobile filmmaking tool. Log V2 for FilmicPro offers to 2.5 stops of additional dynamic range for mobile devices. Log V2 enables the newest iPhone XR, XS and XS Max models to exceed 12 stops of total dynamic range at base ISO. Filmic says these results rival those of the Blackmagic Pocket Cinema Camera and the Panasonic Lumix GH5s. Continue reading → December 21, 2018 The post Filmic adds Log V2 to FilmicPro appeared first on Randi Altman's p...
Interview: Tony Orozco on the theme of “hibernat
December 21, 2018, 10:10 AM
http://designingsound.org/2018/12/21/interview-ton...
The topic of the month is hibernation. As the winter weather comes in and things get cold, many animals go to sleep for the winter. I decided to turn to Tony Orozco for some help. Tony Orozco is a supervising sound editor and re-recording mixer and has worked on shows such as Steven Universe, Adventure […]
Best Wishes 2018!
December 21, 2018, 10:10 AM
https://www.artofvfx.com/best-wishes-2018/
A massive thank to everyone for your interest and constant support!
Welcome to Marwen's VFX Supervisor on Creating pla
December 21, 2018, 10:10 AM
https://www.mpaa.org/2018/12/how-welcome-to-marwen...
Kevin Baillie was barbecuing in the backyard of his San Francisco home one afternoon in 2013 when he got a call from Robert Zemeckis. “Bob said ‘I’ve got this crazy script I want to send you so you can tell me what you think,” Baillie recalls. Five years and 64 million computer-processing hours later, Baillie completed his contributions to the mind-warping movie that is indeed, pretty crazy even by Hollywood spectacle standards. The challenge put forth in Zemeckis’ and Caroline Thompso...
SoundGirls.Org: Career Paths in Post-Audio
December 21, 2018, 07:30 AM
https://www.aotg.com/soundgirls-org-career-paths-in-post-audio/
What does it take to make a career in sound post-production? In this episode we listen in on a panel discussion hosted by Soundgirls.org, with 5 talented audio-post pros: Onnalee Blank (Re-Recording: Mixer Game of Thrones, If Beale Street Could Talk), Karol Urban (Re-Recording Mixer: Grey’s Anatomy, New Girl), Kate Finan (Supervising sound editor: Future-Worm!, Muppet Babies) and April Tucker...
Pixar’s Animation Sup Gini Santos
December 21, 2018, 07:28 AM
https://www.allanmckay.com/173/
This is Allan McKay. Welcome to Episode 173! I’m speaking with Gini Santos, one of the Animation Supervisors at Pixar. I’m really excited for this Episode. I want to make this intro short and sweet.
FMX 2019 Releases First Trailer and Program Confir
December 21, 2018, 07:24 AM
https://www.awn.com/news/fmx-2019-releases-first-t...
LUDWIGSBURG, GERMANY -- FMX 2019 – Conference on Animation, Effects, Games and Immersive Media has announced the first program confirmations as well as the release of the first trailer for the upcoming event set for April 30 – May 3, 2019. Academy Award-winner Jan Pinkava, creative director of Google Spotlight Stories, will give a keynote in line with this year's theme, Bridging the Gap, on his work at the interface between art and technology, while international talent consultant Shelley Pa...
Stitch LA editor cuts first feature doc The Panama
December 20, 2018, 02:02 PM
https://postperspective.com/stitch-la-editor-cuts-...
Stitch LA‘s Weston Cadwell has cut his first feature, The Panama Papers for director Alex Winter. This documentary focuses on the coordination of journalists from around the world, working in secret to expose the largest data leak in history. This was a global corruption scandal involving fraudulent power brokers, the uber-rich, Continue reading → December 20, 2018 The post Stitch LA editor cuts first feature doc The Panama Papers appeared first on Randi Altman's postPerspective.
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