To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Whenever my bay phone rings
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https://www.asoundeffect.com/the-ballad-of-buster-...
The sound for the Coen brothers’ quirky Western, The Ballad of Buster Scruggs (currently available on Netflix) features rich Foley details, rhythmic sound elements, and sound effects-driven sequences that really shine in the mix.
Interview: Johnnie Burn on Creating the Sound for
December 19, 2018, 10:17 AM
http://designingsound.org/2018/12/19/interview-joh...
Korey Pereira: Johnnie, thanks for taking the time to talk to me and the designingsound.org readers about the sound of Director Yorgos Lanthimos’ latest film, The Favourite. This is the third of Yorgos’ films you have worked on; how did that relationship begin? Johnnie Burn: Hi Korey! Thanks so much for your time. I’ve got […]
EasyCorrect Nuke Gizmo Helps Adjust Images for Pho
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https://lesterbanks.com/2018/12/easycorrect-nuke-g...
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Black Panther Editor hints at how the 90's influen
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https://www.inverse.com/article/51901-captain-marv...
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Interview: Aaron Glascock on the theme of “hiber
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Aaron Glascock is a supervising sound editor, sound designer, and re-recording mixer with a long list of films behind him. To date he has received the MPSE Golden Reel for his work on War of the Worlds, an Oscar nomination for Birdman or (The Unexpected Virtue of Ignorance), and has received several other nominations. More […]
What does it take to make Ryan Reynolds ugly
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http://www.aotg.com/index.php?page=deadpool2
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, five Emmy nominations with three wins, and has worked on some of the most iconic films of the last thirty years. But what does it take to make Ryan Reynolds and the cast of Deadpool 2, based on comic book characters, look believable?
Oscars: Nine categories reveal shortlists
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http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The Academy of Motion Picture Arts and Sciences has announced shortlists for nine categories for the upcoming 91st Oscars: Visual Effects, Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Animated Short Film and Live Action Short Film.
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Solo - A Star Wars Story Train Heist VFX
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