To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

5 Big Action VFX Breakdowns

July 7, 2015, 09:26 AM

https://www.rocketstock.com/blog/5-big-action-vfx-...

El Ranchito was tasked with the VFX for the 8th episode of season 5. Hardhome, like many previous episodes of Game of Thrones, had absolutely massive set pieces that called for thousands of digital extras. The 20 minute sequence took a whole month to film. By the time you finish watching the VFX breakdown, you can’t wait to go stomp some undead skulls.

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15 golden principles of visual hierarchy

July 7, 2015, 09:26 AM

http://www.creativebloq.com/infographic/principles...

Created for webdesigners, I think VFX and Animation Artists should check this out!

0 0 0 Blog
Trapcode MIR, Creating High Contrast Op-Art

July 7, 2015, 09:24 AM

http://lesterbanks.com/2015/07/high-contrast-op-ar...

Easily create high contrast abstract animated opt-art in After effects harnessing the power of Trapcode Mir

0 0 0 Tutorial
Avid Everywhere Powers Tour de France Coverage for

July 7, 2015, 09:24 AM

http://feeds.avid.com/~r/AvidPressRoom/~3/nXvCvncq...

Avid MediaCentral Platform helps French broadcaster manage huge volume of content and streamline collaborative production workflow

0 0 0 Press Release
When I am prepping an output and realize that the

July 7, 2015, 09:23 AM

http://renderplease.com/post/123467173085

0 0 0 Humour
Toolchefs Motion Path Tool for Maya Updates

July 7, 2015, 09:23 AM

http://lesterbanks.com/2015/07/toolchefs-motion-pa...

The Maya Motion Path Tool gets new display options, including alternate path color and a keyframe numbers display.

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The Effects Processing Pipeline

July 7, 2015, 09:23 AM

https://www.aotg.com/the-effects-processing-pipeline/

In this episode, Steve will demonstrate why it’s important to apply color corrections as separate effects when creating looks or other color grades.

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Animated Movies that We Hope Will Never Be Live-Ac

July 7, 2015, 09:22 AM

http://www.rotoscopers.com/2015/07/07/animated-mov...

Sometimes, I envision the Disney executives sitting about in tweed suits, smoking cigars, and passing around a bowler hat filled with slips of papers saying a name of a different Disney film. The men glibly slip a hand in and pull out a piece of paper.

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Exporting H.264 from DaVinci Resolve 11

July 7, 2015, 09:22 AM

https://www.aotg.com/exporting-h-264-from-davinci-resolve-11-2/

In "Under 5 Minutes" Alexis Van Hurkman from www.RippleTraining.com will teach you how to export an h.264 encoded movie for your boss or clients to review, directly from within DaVinci Resolve 11's delivery page.

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Sound Devices 688, SL-6 and SuperSlot

July 7, 2015, 09:22 AM

https://www.aotg.com/sound-devices-688-sl-6-and-superslot/

Paul Isaacs, Director of Product Management and Design, talks about SL-6 with SuperSlot and how it can be used with Sound Devices' 688 to simply interconnection for Production Sound Mixers.

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