It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 23, 2015, 09:00 AM
http://www.hollywoodreporter.com/behind-screen/avi...
The maker of the Media Composer editing system acquired the Israel-based developer of 3D graphics systems and video servers.
June 23, 2015, 09:00 AM
https://www.aotg.com/review-kush-audio-clariphonic-dsp-plug-in/
In this video Julian looks at the Clariphonic DSP from Kush Audio, an interesting character EQ which offers broad, boost-only EQ in the mid and high bands.
June 23, 2015, 08:59 AM
https://www.aotg.com/macbreak-studio-ep-315-saving-transform-preset/
In this episode, Steve from Ripple Training will show Mark how to save Transform presets in Final Cut Pro 10.2.
June 23, 2015, 08:59 AM
https://www.aotg.com/izotope-rx-final-mix-overview-every-sound-in-its/
Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!
June 23, 2015, 08:59 AM
https://www.aotg.com/getting-started-with-rx-final-mix/
Get started quickly and easily using RX Final Mix on your stems, submixes and master bus.
June 23, 2015, 08:59 AM
https://www.aotg.com/screen-equalizer-cc-2015/
The After Effects CC 2015 update is a significant re-architecture that affects how 3rd party plugins interact with it. This means most plugins will require an update to work in this new version. Screen Equalizer for CC 2015 and above has the addition of a “Get Sample Color” button. Click this button after selecting the Clean Plate from the drop down. It will then populate the Sample Color box with the appropriate screen color.
June 23, 2015, 03:34 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“What is this ‘Monty’ – some kind of a race?” — Chester Schofield At eight words, the title of this film is a mouthful. Combined with animated illustrations by famed British c...
June 23, 2015, 03:34 AM
http://www.fcp.co/final-cut-pro/articles/1684-an-i...
The use of tracking for placing titles in scenes has become very popular. Final Cut Pro X editor Matt Holder gives us an introduction to the different types of motion tracking and how the techniques can be used to put 3D text or graphics into a scene.
June 23, 2015, 03:34 AM
http://recode.net/2015/06/23/virtual-reality-is-st...
From the moment I stepped foot inside the Los Angeles Convention Center for last week’s gaming trade show E3, I was determined to get through as many virtual reality demos as humanly possible without vomiting. Some of them were even pretty good!
June 23, 2015, 03:34 AM
https://montageforum.wordpress.com/2015/06/23/edit...
Gender-ExpertInnen sind wir zwar nicht, aber wir sind gendersensibel und persönlich betroffen. Jeder Montageprozess macht uns in gewisser Hinsicht zu ExpertInnen des jeweiligen Films, seines Materials und seines Aufbaus. Wir sind Montagefreaks – die Genderkonstruktion läuft scheinbar nebenher.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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