To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Review: Avid Pro Tools 12

March 4, 2016, 06:13 PM

http://postperspective.com/review-avid-pro-tools-1...

By Ron DiCesare In 1990, I was working at a music studio where I did a lot of cut downs of 60s, 30s, 15s and 10s for TV and radio commercials. Back then we used ¼-inch analog tape with a razor blade to physically cut the tape. Since I did so many ¼-inch tape edits, Continue reading →March 3, 2016

Technicolor Hires Sound Designer Scott Gershin to

March 4, 2016, 06:11 PM

http://www.studiodaily.com/2016/03/technicolor-hir...

Supervising Sound Editor Scott Gershin is the new director of sound editorial at Technicolor, where he will head a new department creating sound for video games, virtual reality, theme parks, installations, and other immersive experiences. Gershin's department will be based … more » The post Technicolor Hires Sound Designer Scott Gershin to Launch New Gaming/VR Department appeared first on Studio Daily.

Scoring SyFy's 'Dominion' Season 2

March 4, 2016, 06:10 PM

http://soundandpicture.com/2016/03/scoring-syfys-d...

It’s no coincidence that Bill Brown dreamt the score that would later become Dominion’s Season 2 opening theme. The bold combination of thunderous pulsating electronic grit and swaying organic cello melodies form a perfect musical backdrop for a post-apocalyptic confrontation between humans and angels.

Mixing Conferences and Corporate Events with S6L

March 4, 2016, 10:46 AM

http://www.avidblogs.com/mixing-conferences-and-co...

The article Mixing Conferences and Corporate Events with S6L by Derk Hagedorn appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

Top 5 Things to Know About Editing Audio

March 4, 2016, 05:31 AM

http://www.motionelements.com/blog/articles/5-thin...

As a filmmaker, you understand the impact that music and other audio elements have on your project. But how can you make your audio the perfect fit for your film? How can you make it sound professional and true to your film’s goals? You must edit your audio. Here are some of the most important things you should know before you embark on the editing process.

Companies Strut Their Stuff for Project Runway

March 3, 2016, 11:21 AM

https://www.aotg.com/companies-strut-their-stuff-for-project-runway/

Sound Engineer Sergio Reyes-Sheehan and Sound Supervisor Adam Howell's Collaboration Creates Stylish Equipment Package for Popular Lifetime Network Reality Fashion Competition

#sound devices#dpa microphones
RTW Highlighting Products at Prolight + Sound 2016

March 3, 2016, 08:06 AM

https://www.aotg.com/rtw-highlighting-products-at-prolight-sound-2016/

RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, will be featuring its coveted software and hardware devices at Prolight + Sound 2016 (Hall 4, Level 0, Booth B56). The products being showcased include the company's new Continuous Loudness Control Software, updated Version 3.0 of Masterclass Plug-ins and TM3-Primus with new USB Connect Tool.

#rtw
Journey to capture the sound of the US Pacific Nor

March 3, 2016, 06:28 AM

http://www.asoundeffect.com/pacific-northwest-soun...

Experienced sound designer and recordist Andy Martin is making big plans: He wants to capture the sounds of the Pacific Northwest in the US in a way it’s never been done before, and he’s planning on spending a year doing it. To make the project a reality, he’s just launched a Kickstarter campaign, and below he explains the idea and approach for this big project – and how you can help make it happen...

Sound work recognized by the CAS and MPSE

March 2, 2016, 05:50 PM

http://postperspective.com/sound-work-recognized-b...

By Mel Lambert While George Miller’s Mad Max: Fury Road swept the Academy Awards for both sound editing and sound mixing — congratulations, respectively, to co-supervising sound editors Mark Mangini and David White, production mixer Ben Osmo plus re-recording mixers Chris Jenkins and Gregg Rudloff — members of the Cinema Audio Society/CAS and Motion Picture Sound Editors/MPSE favored a broader cross section of film and TV productions during their recent awards ceremonies held here ...

Linear Acoustic Set to Feature Latest Audio

March 2, 2016, 01:03 PM

https://www.aotg.com/linear-acoustic-set-to-feature-latest-audio/

Linear Acoustic Set to Feature Latest Audio Processing Solutions at Cabsat 2016

#linear acoustic

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