It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 30, 2017, 06:50 AM
http://collider.com/guardians-of-the-galaxy-2-vfx-...
Guardians of the Galaxy Vol. 2 is easily the most visually immersive and splendidly colorful Marvel movie (at least until Thor: Ragnarok hits theaters later this year) and a whole lot of movie magic goes into making a movie look that good. Visual effects company Framestore has revealed a new VFX reel displaying their work on James Gunn‘s superhero sci-fi and it’s full of breakdowns for the film’s most impressive sequences, including the opening battle against the tentacle monster, Yondu’...
September 29, 2017, 02:54 PM
http://www.artofvfx.com/rogue-one-a-star-wars-stor...
Don’t miss this new video by Industrial Light & Magic about the work on ROGUE ONE – A STAR WARS STORY...
September 29, 2017, 06:58 AM
http://www.artofvfx.com/guardians-of-the-galaxy-vo...
Excellent VFX Breakdown by Framestore about their work on GUARDIANS OF THE GALAXY VOL. 2...
September 29, 2017, 06:58 AM
http://www.cgmeetup.net/home/realflow-10-dyverso-v...
Next Limit presents RealFlow 10: Dyverso Viscous tutorial.
September 28, 2017, 07:17 AM
http://www.artofvfx.com/seven-sisters-vfx-breakdow...
Belgian studio Benuts VFX presents their work on SEVEN SISTERS...
September 28, 2017, 07:17 AM
http://www.cgmeetup.net/home/rogue-one-a-star-wars...
ILM – This full-length reel represents a sample of the work created for over 1750 shots by hundreds of artists, scientists, and engineers around the world.
September 28, 2017, 07:17 AM
http://www.cgmeetup.net/home/alien-covenant-medbay...
MPC – Warning explicit content! – Take a look at MPC’s incredible but grotesque FX and creature work on the Medbay sequence for Alien Covenant.
September 26, 2017, 07:16 PM
http://www.studiodaily.com/2017/09/zoic-studios-hi...
VFX supervisor Lou Pecora has joined Zoic Studios in Culver City, CA. Pecora, an Academy Award nominee for X-Men: Days of Future Past (2014) and three-time VES Award nominee for X-Men: Days of Future Past, Pirates of the Caribbean: At World’s End (2007), and Nike special-venue project “The Neymar Jr. Effect” (2016) comes to Zoic after an 18-year […] The post Zoic Studios Hires VFX Supervisor Lou Pecora appeared first on Studio Daily.
September 26, 2017, 12:21 PM
http://www.postmagazine.com/Press-Center/Daily-New...
CULVER CITY, CA — Lou Pecora has joined Zoic Studios as VFX supervisor. He is an Academy Award-nominated VFX supervisor with more than two decades of experience in visual effects, working across commercials, feature films and series.
September 26, 2017, 12:20 PM
https://library.creativecow.net/ubsdell_simon/blac...
In this advanced keying tutorial for Blackmagic Fusion, longtime VFX artist Simon Ubsdell addresses a common problem: edges too brightly lit, along with light wrap that makes compositing a challenge. Learn how to build custom keyers using Fusion's node-based compositing that solve the problem more quickly and more completely than traditional layer-based approaches.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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