It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 27, 2021, 10:04 AM
https://www.broadcastbeat.com/autodesk-accelerates...
Autodesk’s collaboration with Pixar, Animal Logic, Luma Pictures, and Blue Sky comes to fruition with USD now seamlessly integrated in Maya. 3ds Max gains workflow efficiency and rendering power.
#workflow#autodeskMarch 27, 2021, 10:04 AM
https://www.awn.com/news/siggraph-celebrates-women...
Join the conversation; virtual event features a discussion with women who shaped the organization and continue to blaze new trails in the computer graphics industry.
#vfx#animation#women#siggraphMarch 27, 2021, 10:03 AM
https://www.goldderby.com/article/2021/sound-of-me...
You wouldn’t necessarily think that sound would go hand-in-hand with film editing, but at the Oscars, those awards have often gone to the same film. In fact, the last seven film editing winners in a row have won one or both sound awards (this year the two sound categories were consolidated). And only seven film editing winners in the last 20 years have failed to win a sound prize. Could “Sound of Metal” continue this trend?
#editing#oscars#sound#sound of metalMarch 27, 2021, 10:02 AM
https://www.artofvfx.com/wandavision-ralph-maiers-...
Ralph Maiers has been working in visual effects for over 25 years. He has worked on many shows including Night at the Museum: Secret of the Tomb, Crouching Tiger, Hidden Dragon: Sword of Destiny, Altered Carbon and Lost in Space.
#wandavision#vfx supervisor#mr x#ralph maiersMarch 26, 2021, 08:41 AM
https://www.pro-tools-expert.com/home-page/avid-pr...
Avid has announced Pro Tools | Sync X to replace the Sync HD unit. The Sync X has been designed to be part of the backbone of any audio post or large music production studio, providing reliable low-jitter clocking, near sample-accurate lock, and precision frame edge alignment. But why? We explain…
#pro tools#music#jitter clockMarch 26, 2021, 08:40 AM
https://www.artofvfx.com/snowpiercer-season-2-dami...
Damien Thaller has over 20 years of experience in visual effects. He has worked in many studios like ILM, Rising Sun Pictures, Image Engine before joining FuseFX in 2020. He has worked on projects such as Logan, Lost in Space, Fantastic Beasts: The Crimes of Grindelwald and Game of Thrones.
March 26, 2021, 08:39 AM
https://ymcinema.com/2021/03/25/mank-was-edited-on...
Netflix’s MANK is one of the most nominated films in Oscar 2021 (including Best Picture, Best Director, and Cinematography). The movie was edited on Premiere Pro, battle-testing its Production capabilities. Let’s explore what MANK’s editors have to say about the workflow, and how they sum up their experience using PP during remote operation.
#editing#premiere pro#mankMarch 26, 2021, 08:38 AM
https://www.provideocoalition.com/trusting-apple-d...
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an online edit or color correction suite using a single, calibrated reference monitor. We’ve moved away from rooms that look like the bridge of the Enterprise into more minimalist set-ups.
#apple#displayMarch 26, 2021, 08:37 AM
https://beforesandafters.com/2021/03/26/vision-vs-...
This week at befores & afters we’ve previously looked at some of the different VFX studios involved in Vision visual effects for WandaVision.
#vfx#wandavisionMarch 26, 2021, 08:37 AM
https://www.provideocoalition.com/aotc-the-father/
Yorgos Lamprinos is an editor of Greek origin living and working in Paris. Yorgos edited the Oscar Best Picture nominee, The Father and was nominated for Best Editing for the film. He has already won The British Independent Film Award for Best Editing for The Father. It was also nominated for Best Film and Best Editing for this year’s BAFTAs.
#bafta#oscars#the father
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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