It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 10, 2015, 11:00 AM
http://www.indiewire.com/article/attention-filmmak...
Music can make all the difference when it comes to setting the tone for a documentary - or really any film. At a masterclass during Sheffield Doc/Fest, veteran composers Julian Hamlin and Edmund Jolliffe gave directors and producers a rundown of how to improve their films with a composer's help. As Hamlin and Jolliffe, the two have composed music for countless features, TV series and commercials.
June 10, 2015, 10:59 AM
http://www.toolfarm.com/blog/entry/news_deliver_gr...
Toolfarm is offering an unrestricted, fully-featured 30 day trial on iZotope’s Automatic Global Loudness Correction Tool, RX Loudness Control.
June 10, 2015, 10:59 AM
http://www.animationinsider.com/2015/06/james-casw...
James Caswell. I’m a freelance storyboard artist in Toronto (the GTA.) I also occasionally instruct at Sheridan College in Oakville.
June 10, 2015, 10:59 AM
http://mediastorm.com/blog/2015/06/10/premiere-pre...
This article is part of a series of posts with tips and tricks from our producers’ experience working with Adobe Premiere Pro CC after years of working in Final Cut Pro. To read more about why we made the switch, check out this post.
June 10, 2015, 10:59 AM
https://www.aotg.com/how-to-make-a-realistic-horror-skull-prop/
This video was brought to you by Premium memberships on Tested.
June 10, 2015, 10:59 AM
https://www.aotg.com/detail-preserving-upscale-in-ae/
I recently was made aware of the "Detail Preserving Upscale" filter / effect in After Effects CC. This effect allows you to zoom in on your shot without losi...
June 10, 2015, 10:58 AM
https://www.aotg.com/cgi-vfx-breakdowns-hd-salem-season-2-witch-war/
Check out this awesome CGI VFX Breakdown for the TV series "Salem" by the talented team at Ingenuity Engine! For more information, please see the details and links below...
June 10, 2015, 10:58 AM
http://www.cgmeetup.net/home/hare-rig-free-maya-ri...
Download Free Hare 3d Character Rig by Arman Musovic & developed with Dalila Avdukic.
June 10, 2015, 10:58 AM
http://news.doddleme.com/blogs/post-production/avi...
In Avid Media Composer, Bins are at the core of your workflow. Moreso then in other NLE’s. Bins in Adobe Premiere Pro are infused in the project. Want to send someone your sequence bin? You have to send them your whole project. In Avid Media Composer, the project is simply a folder that holds all the individual bins, so you have access to them, plus send them to other editors, separately.
June 10, 2015, 10:58 AM
https://www.aotg.com/davinci-resolve-12-multi-cam-editing/
Multi-cam editing in DaVinci Resolve 12 lets editors quickly cut programs while playing back multiple sources in real time. You can synchronize camera angles based on timecode, in/out points or even automatically based on audio waveforms!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.