To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Delcio Gomes - ILM: Avengers - Age of Ultron
June 1, 2015, 04:19 PM
Delcio originally from Brazil has worked on projects like Avengers: Age of Ultron, Terminator Genisys, Thor: The Dark World, Oblivion and many others as both a modeler and cg generalist.
Mad Max: Fury Road VFX Comparisons
June 1, 2015, 04:18 PM
http://collider.com/mad-max-fury-road-vfx-comparis...
MAD MAX: FURY ROAD Before-and-After VFX Images Highlight the Movie’s Excellent Effects
VFX Awesomeness of ‘Kung Fury’ Relies on ftrac
June 1, 2015, 04:18 PM
http://www.awn.com/news/vfx-awesomeness-kung-fury-...
Swedish VFX and animation studio Fido creates hundreds of 80s-tinged VFX shots with everything from green screen compositing to characters riding atop a Tyrannosaurus Rex for David Sandberg’s ‘Kung Fury.’
Christian Winters Discusses Keeping Things Objecti
June 1, 2015, 01:04 PM
http://manhattaneditworkshop.blogspot.com/2015/06/...
Manhattan Edit Workshop presents: Sight, Sound & Story - Christian Winters on "24/7: Pacquiao vs. Marquez 4." From Sight, Sound & Story - June 14th, 2014. For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.
Eleven Sound expands with new studios
June 1, 2015, 01:04 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA — Eleven Sound (www.elevensound.com) has completed a major expansion that includes the addition of two new audio post mixing suites. The studio was founded by mixer Jeff Payne in 1999.
When I am waiting for a hard drive to take over to
June 1, 2015, 01:04 PM
http://renderplease.com/post/120452499335
The Terence and Philip Show: Episode 68 – the Fu
June 1, 2015, 01:04 PM
http://www.philiphodgetts.com/2015/06/the-terence-...
Family history to surviving the future get the Terence and Philip Show treatment.
Composer Bryan Lee Brown
June 1, 2015, 01:03 PM
http://soundworkscollection.com/news/soundworks-co...
SONIC HIGHWAYS which is directed by Dave Grohl is a 8-episode, 8-city look at the recording of the Foo Fighter’s 8th album. The series taps into the music heritage and cultural fabric of eight cities: Chicago, Austin, Nashville, Los Angeles, Seattle, New Orleans, Washington D.C and New York. Writing music for this documentary was personal for Brown who is a long time friend of director Dave Grohl and included interviews and real life events from many of his close friends.
Webinar Replay: Design a Motion Graphics Opener
June 1, 2015, 01:03 PM
https://www.aotg.com/webinar-replay-design-a-motion-graphics-opener/
Join Eran Stern of SternFX, popular After Effects trainer and motion graphics artist, as he takes Boris Continuum Complete After Effects and Premiere Pro users through a two-step process that is becoming more and more commonplace - creating a broadcast opener, then compositing that opener onto an iPad.
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