To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Resolve 105: Managing Color Grades - Creating a Gr
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https://www.aotg.com/resolve-105-managing-color-grades-creating-a-gr/
You learn about Versions where you can store and recall subtle (or drastic) variations of a look. You also see how to make Gallery Stills to create images as a reference guide. These techniques -combined with color grade copying, group grading of multiple clips and split screen viewing- are the tools colorists use for speed and to maintain consistency when working on larger projects.
The Worst Post Advice I've Gotten
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https://screenlight.tv/blog/2015/05/26/worst-advic...
I’ve only been in this game a few years – nearing six to be exact. I’ve only worked for a few video companies and have personal relationships with a number of editors. However I’ve been around long enough to be a firsthand witness to a disturbing issue that is hurting our industry.
Award-winning Sherlock editor Yan Miles unlocks th
May 28, 2015, 04:55 AM
http://www.avid.com/US/about-avid/customer-stories...
The multi-award winning series Sherlock, starring the captivating Benedict Cumberbatch as the world famous inspector Holmes, and Martin Freeman as his loyal friend Doctor John Watson, is a thrilling, funny, fast-paced contemporary adaptation of Arthur Conan Doyle’s classic crime stories set in 21st Century London.
MPC creates prehistoric land of CG dinos for Nesca
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http://postperspective.com/mpc-creates-prehistoric...
One of MPC’s latest commercial productions features the story of a mother and son on an epic trip in search of dinosaurs in the new Nescafé Goldblend spot from Publicis London. The commercial was filmed on location in South Africa’s Royal Natal National Park, and the MPC VFX team slightly augmented the park’s famous rock amphitheatre to create part of the scenery. Directed by Park Pictures’ Christian & Patrick (Christian McKenzie and Patrick Chen), the 60-second spot required the V...
Resolve 12 Might Just Become Your New Favorite NLE
May 27, 2015, 04:39 PM
http://nofilmschool.com/2015/05/davinci-resolve-mi...
For two years, DaVinci Resolve has been slowly and surely transforming from a dedicated color correction tool into an all-in-one solution for editors and colorists alike. In version 12, it achieved full NLE status.
Can the Sharing Economy Transform the Audio-Visual
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http://www.productionhub.com/blog/post/can-the-sha...
The audiovisual market is poised for a sharing economy “takeover.” The AV market alone generates $91 billion a year, and is projected to be a $114 billion by 2016 (infoComm). Virtually every industry relies on AV technologies to facilitate and support communications, entertainment, and other related services. It is only a matter of time before the sharing economy approach infiltrates and transforms the AV industry by offering convenience, efficiency, expanded choice, social interacti...
Editor Jonathan Oppenheim Discusses the Difficulty
May 27, 2015, 02:31 PM
http://manhattaneditworkshop.blogspot.com/2015/05/...
Manhattan Edit Workshop presents: "Sight, Sound & Story" - Jonathan Oppenheim on The Oath: Part 2. For more information on "Sight, Sound & Story" go to www.SightSoundandStory.com.
Motion designer Jeremy Frye joins Splice
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http://postperspective.com/motion-designer-jeremy-...
Creative studio Splice in Minneapolis has hired motion designer Jeremy Frye. This 15-year industry veteran won a 2012 Emmy in Graphic Arts Animation. Over the years he has worked for big companies such as Amazon and The Chicago Tribune, as well as small boutique post houses and interactive firms. Growing up in the 1980s, Frye couldn’t have known that his love of metal videos and cartoons would one day lead him to Splice. But he did know that he was onto something. “There’s nothing ...
NAB 2015 Wrap-Up: What We Learned at This Year’s
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http://feedproxy.google.com/~r/CrewsControl/~3/WE3...
Tools for Workflow and Organization NAB 2015 has come and gone without too much hype of a new cutting edge technology or gimmick to gossip [...] The post NAB 2015 Wrap-Up: What We Learned at This Year’s Show appeared first on Crews Control Inc..
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