It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 18, 2017, 05:45 AM
https://vfxserbia.com/2017/08/18/the-future-of-vis...
The future of visual effects in films, TV, and VR; from crossing the uncanny valley in human animation, to light-field camera technology that will change the way moving images are captured.
August 17, 2017, 06:06 AM
http://postperspective.com/editor-william-hoy-work...
By Mel Lambert For William Hoy, ACE, story and character come first. He also likes to use visual effects “to help achieve that idea.” This veteran film editor points to director Zack Snyder’s VFX-heavy I, Robot, director Matt Reeves’ 2014 version of Dawn of the Planet of the Apes and his new installment, Continue reading → August 17, 2017 The post Editor William Hoy — working on VFX-laden War for the Planet of the Apes appeared first on Randi Altman's postPerspective.
August 17, 2017, 06:04 AM
http://www.artofvfx.com/netto-the-easter-surprise-...
Check out this making of by The Mill about their work on this cute Netto commercial...
August 17, 2017, 06:04 AM
http://www.cgmeetup.net/home/the-future-of-storyte...
Story is powerful. The Narrativa team at Autodesk discovers and develops ideas that empower all storytellers. We look at the function of story for our species in the past, today and in the future. Knowledge-based systems, machine intelligence, and generative methods are accelerating and soon will enable impactful stories to be told by anyone.
August 16, 2017, 09:04 AM
http://www.artofvfx.com/king-arthur-legend-of-the-...
Framestore have just released this VFX Breakdown about their work on KING ARTHUR – LEGEND OF THE SWORD...
August 15, 2017, 10:47 AM
http://www.artofvfx.com/pirates-of-the-caribbean-d...
Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.
August 15, 2017, 04:38 AM
https://www.youtube.com/watch?v=PBCiek5EiFQ
This non-traditional VFX house has artists working remotely all around the world. Here they talk about projects (Shonda Rhimes shows) and working with remote review and approvals.
August 14, 2017, 04:59 PM
https://blogs.creativecow.net/blog/14706/exporting...
In this DaVinci Resolve 14 tutorial; Nathan Walters walks you through the workflow of exporting LUTs for visual effects, explaining why a visual effects artist would want a LUT and how to create one for them. This video covers an entire workflow from DaVinci Resolve to Adobe After Effects, although these concepts can be applied to almost any color grading and compositing applications.
August 14, 2017, 06:29 AM
https://labs.chaosgroup.com/index.php/digital-huma...
Recorded live at V-Ray Days @ SIGGRAPH 2017, this podcast unites host Chris with previous guests, and Wikihuman members, Mike Seymour (FXGuide) and Jay Busch (Google). If you attended SIGGRAPH, you’ll know that the virtual representation of Mike – aka Meet Mike – was a star of the convention, and this podcast delves into the trials and tribulations of his creation.
August 14, 2017, 06:29 AM
https://photography.tutsplus.com/articles/15-top-t...
Your title sequence has the ability to capture the imagination (think Game of Thrones) and to set the tone for the whole film. It also has the potential to put people off, so it’s important to get it right. Here are 15 After Effects title templates—cinematic, modern, and retro—from Envato Market to get your creativity flowing.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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