To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Digital Domain 3.0 Names Tiffani Manabat Vice Pres

May 19, 2015, 09:35 AM

http://www.btlnews.com/crafts/post-production/digi...

Playa Vista, Calif.-based visual effects house Digital Domain announced that Tiffani Manabat will be joining its ranks as vice president, advertising and games. Tiffani will join the team responsible for VFX for such brands as Cadillac, Lexus, Nike, Microsoft, Ubisoft, Xbox and American Airlines.

10 Free After Effects Assets

May 19, 2015, 09:35 AM

http://www.premiumbeat.com/blog/10-free-after-effe...

Don't shell out a ton of money on plugins, presets, and overlays. Check out these free After Effects assets instead!

Crew Cuts Promotes Two to Editor

May 19, 2015, 09:35 AM

http://www.btlnews.com/community/whos-where/crew-c...

New York-based Crew Cuts announced that it has promoted Danielle Sclafani and Mark Harrington to editor. Sclafani and Harrington began their tenures at Crew Cuts in 2010.

DaVinci Resolve Workflow Roundtrip Breakdown

May 19, 2015, 09:35 AM

http://www.premiumbeat.com/blog/davinci-resolve-wo...

Get to know the DaVinci Resolve workflow from client to delivery with this in-depth roundtrip tour.

Avid Everywhere™ Powers Cannes Film Festival

May 19, 2015, 09:35 AM

http://feeds.avid.com/~r/AvidPressRoom/~3/oBV52M9d...

World Renowned Event relies on Avid workflow solutions to broadcast global coverage

Apple Introduces 15-inch MacBook Pro with Force To

May 19, 2015, 09:34 AM

http://www.fcp.co/final-cut-pro/news/1668-apple-in...

  As expected, Apple has updated the MacBook Pro with a Force Touch trackpad and introduced a new configuration of the iMac with Retina 5K display.

Make 3D countdown slates in FCPX and 3D logos in M

May 19, 2015, 09:34 AM

http://www.fcp.co/final-cut-pro/articles/1667-make...

Two tutorials from the Ripple guys this week, both use 3D. Make a 3D countdown slate in FCPX and build 3D logos in Motion.

Download C4D Smart Tween & Smart Stairs Plugins fo

May 19, 2015, 09:34 AM

http://lesterbanks.com/2015/05/download-c4d-smart-...

Smart Tween lets you easily set curves for your animation in Cinema 4D, while Smart Stairs offers a useful parametric stair generator for modeling.

The Essential Primer to Recording Car Sound Effect

May 19, 2015, 09:33 AM

http://www.asoundeffect.com/car-sound-effects-reco...

What’s the secret to recording great car sound effects? That’s something the team at Pole Position Production has spent a decade figuring out. They’ve recorded literally hundreds of vehicles – and in this exclusive A Sound Effect post by Max Lachmann, he generously shares his insights, tips, gear and hard-earned lessons from ten years of recording car sounds for film and games:

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