It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 9, 2021, 01:52 PM
https://lesterbanks.com/2021/03/how-to-combine-met...
Digital Meat shows how you can use metal and rough textures for ultimate flexibility. There are a couple of PBR workflows for creating shaders and maps. You are either in the metalness camp or the specular/roughness one.
March 9, 2021, 01:51 PM
https://postperspective.com/avid-launches-of-edit-...
Avid has introduced its Edit On Demand subscription service allowing video content creation teams in film, video and broadcast post to rapidly turn on secure virtual post production environments in the cloud. Shaped by successful production deployments during the Early Access Program with more than 60 production companies, post houses and broadcasters participating, Continue reading → March 8, 2021 The post Avid Launches of Edit On Demand Cloud Subscription Service appeared first on ...
March 9, 2021, 01:51 PM
https://www.globenewswire.com/news-release/2021/03...
BURLINGTON, Mass., March 08, 2021 (GLOBE NEWSWIRE) -- Video content creation teams in film, video and broadcast post now have the power to rapidly turn on secure virtual post production environments in the cloud with the public release of the new Avid | Edit On Demand subscription service from Avid® (Nasdaq: AVID). Shaped by successful production deployments during the Early Access Program with more than 60 production companies, post houses and broadcasters participating, Edit On Demand puts Av...
March 9, 2021, 01:51 PM
https://www.hollywoodreporter.com/behind-screen/di...
Supervising sound editor Dennis Drummond -- whose credits include Dick Tracy and A League of Their Own -- will receive the Motion Picture Sound Editors' Career Achievement Award during the the 68th annual MPSE Golden Reel Awards, which will be presented during a virtual ceremony on April 16.
March 9, 2021, 01:51 PM
https://www.cartoonbrew.com/awards/ves-award-nomin...
The Visual Effects Society (VES) have announced the nominees for their 19th annual VES Awards, which recognize outstanding visual effects and artistry in film, television, commercials, and video games.
March 9, 2021, 01:51 PM
https://www.creativebloq.com/after-effects/best-af...
The best After Effects plugins for speeding up your motion workflow and adding new features.
March 9, 2021, 01:51 PM
https://www.cined.com/aja-t-tap-pro-thunderbolt-3-...
AJA recently launched a new output-only Thunderbolt 3 video box with 12G-SDI and HDMI 2.0 connectivity: the AJA T-TAP Pro. This little box can display 4K DCI over a single cable at up to 60p with up to 16-channel embedded audio. Let’s take a closer look at it!
March 9, 2021, 01:51 PM
https://3dtotal.com/news/general/fate-the-winx-sag...
Cinesite have shared a VFX breakdown of their work for Fate: The Winx Saga.
March 9, 2021, 01:51 PM
https://www.shutterstock.com/blog/women-in-post-pr...
From Dede Allen to Sally Menke, let’s explore these early pioneer women editors and how their legacies shaped the modern landscape of cinema.
March 9, 2021, 01:50 PM
https://www.productionhub.com/blog/post/working-wi...
Recently we had the opportunity to talk at length with Colorist Juan Cabrera, ASC Associate Member. Juan provided some incredibly valuable insights on his journey and on the art of being a colorist for major motion pictures and television. Juan also shed some light on how everyone at all levels of the production workflow can benefit from learning that the journey from beginning to the end really begins in pre production. Very enlightening to say the least. Check it out!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.