To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Easily Bake Dynamic Fracture Objects into Keyframe

April 20, 2015, 11:22 AM

http://lesterbanks.com/2015/04/easily-bake-dynamic...

How to easily bake dynamically animated fractured objects out into keyframes in Cinema 4D.

Tutorial Quick Tips - BCC Particle Emitter 3D

April 20, 2015, 11:22 AM

http://www.toolfarm.com/blog/entry/tutorial_quick_...

“In the first of a series of Quick Tips, Senior Product Manager Dirk de Jong dives into BCC Particle Emitter 3D. Learn how to easy it is to use randomization and post processing to produce a more varied and organic look even when you’re using a single repeated particle image.” - Jessie Electa Petrov

Animation Lessons from Aaron Blaise

April 20, 2015, 11:22 AM

https://www.aotg.com/animation-lessons-from-aaron-blaise/

In this comprehensive and complete course, master animator Aaron Blaise (“The Lion King”, “Beauty and the Beast”, “Mulan”, co-director "Brother Bear") takes you through the key principles of animation.

The Foundry reveals the five key problems of VR

April 20, 2015, 11:21 AM

http://www.cgchannel.com/2015/04/the-foundry-revea...

A recording of The Foundry’s livestream from NAB 2015. Jon Wadelton’s presentation on the company’s work in virtual and augmented reality starts at 03:33:30. You can find a rundown of the other speakers here.

CGI VFX Breakdowns HD: SUNDAYS - VFX Breakdown

April 20, 2015, 11:21 AM

https://www.aotg.com/cgi-vfx-breakdowns-hd-sundays-vfx-breakdown/

Check out this awesome VFX Breakdown for SUNDAYS a philosophical science-fiction proof-of-concept short, by the talented team at PostPanic Pictures! For more information, please see the details and links below...

Avid Gets Serious About Open Platforms

April 20, 2015, 11:21 AM

http://www.sportsvideo.org/nab2015/2015/04/nab-per...

It’s safe to say that Avid’s acquisition of Orad prior to NAB 2015 enhanced the way sports-content creators view the provider of sports-related broadcast technologies company. But it also was part of an Avid Everywhere strategy that rounded into shape at the show.

NAB 2015: Killer Tracks

April 20, 2015, 11:21 AM

http://news.doddleme.com/blogs/post-production/nab...

At NAB 2015, there are always a huge amount of stock music companies, and Killer Tracks is always leading the way, right in the center of the lower south hall. I guess the big question is, what does a “simple” stock music company have to offer every year, that would make people keep coming back?

BAFTA Guru In Focus: Composing. Vol 2

April 20, 2015, 11:21 AM

http://filmmakeriq.com/2015/04/bafta-guru-in-focus...

An array of top composers from films and TV programmes such as Jack Ryan: Shadow Recruit, Sherlock and Jurassic World offer insights into composing and explain how recent technological advances have revolutionised their industry.

Andrew Hagen

April 20, 2015, 11:21 AM

http://www.nzonscreen.com/person/andrew-hagen

Andrew Hagen began composing for film while in band Schtung. Hagen and fellow bandmember Morton Wilson provided music for a quartet of Kiwi movies, including Kingpin and The Scarecrow, then moved to Hong Kong and set up studios in Asia. In 1992 Hagen headed to LA, establishing himself as an award-winning composer, sound designer and sound supervisor. In 2011 he launched a branch of Schtung back in Wellington.

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