It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 9, 2015, 05:49 AM
https://www.aotg.com/making-the-mine-chase-sequence-for-temple-of-doom/
11-Minute 'Making the Mine Chase Sequence' of Indiana Jones and the Temple of Doom
April 9, 2015, 05:49 AM
http://thenextweb.com/creativity/2015/04/09/adobe-...
Every year — just in time for the annual convention of the National Association of Broadcasters — Adobe circles back to its video suite — Premiere Pro, After Effects, Media Encoder, SpeedGrade, Audition and others, and finds it wanting.
April 9, 2015, 05:49 AM
http://motionworks.net/new-features-in-ae-cc-13-5/
After Effects CC 13.5 has been announced and in this overview I walk through the main new features and enhancements.
April 9, 2015, 05:49 AM
http://nofilmschool.com/2015/04/premiere-pro-massi...
The upgrades in Premiere almost all have to do with color. Back when Adobe acquired Iridas (the original developers of SpeedGrade) a few years back, the hope was that not only would Premiere and SpeedGrade communicate with each other much in the same way that other Adobe programs communicated, but that some of the advanced and high-end color features in SpeedGrade would make their way directly into Premiere so that they could be used natively while editing. Not only has all of that happened in t...
April 9, 2015, 05:49 AM
http://www.creativebloq.com/3d/5-new-features-adde...
When it comes to 3D and video tools, today's big announcement from Adobe has been a massive update to Premiere Pro. But After Effects users haven't been left empty-handed either. Here we list the five biggest updates coming to the motion-graphics and animation software in 2015...
April 9, 2015, 05:49 AM
https://www.aotg.com/whats-new-premiere-pro-cc-for-nab-2015/
Here's a quick peek at what's new in Premiere Pro CC for NAB 2015. As you'll see in this video there's a lot to review in this 30 minute video. Things like new Task Oriented Workspaces featuring a way to work with Color, Project Candy, new tools for cutting Interviews, Exports where duration is your #1 concern, Easier Audio setup, Enhanced AAF, and more... To make viewing a bit easier, you will notice small blue labels in the lower right corner to make it easier to navigate.
April 9, 2015, 05:48 AM
http://blogs.adobe.com/movingcolors/2015/04/08/com...
This year at NAB 2015 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new mobile Look capture technology, a brand new Color workspace in Adobe Premiere Pro, and Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip. And we haven’t forgotten SpeedGrade: the next release of our professional color grading application includes support for Lumetri Looks created in Premiere Pro...
April 9, 2015, 05:48 AM
http://blogs.nppa.org/editfoundry/2015/04/08/using...
Marking an In on your clip midmotion will practically help every edit you ever make. Editing midmotion, starting the edit after an action has started, hides (which is what editing is supposed to do) a lot.
April 9, 2015, 05:47 AM
http://postperspective.com/altermedia-beefs-studio...
At the NAB 2015, AlterMedia will highlight new features for its Studio Suite Xi studio management software, as well as workflow enhancements achieved through new integration partnerships with Aspera and FileCatalyst. New additions to AlterMedia‘s Studio Suite Xi include charting for productions and projects; new task timers; a call sheet optimized for smaller productions; a refreshed Web Glancer with UI improvements and a QuickLog feature for mobile users; new calendar features; improved ...
April 9, 2015, 05:47 AM
http://blogs.adobe.com/premierepro/2015/04/whats-c...
NAB is just around the corner and it’s time to show you what we’ve been working on in Media Encoder, our powerhouse encoding and rendering application. Time Tuner Our marquee feature for the next release is Time Tuner, which lets you adjust the duration of content without painstaking micro-editing, something that has become more and more important in the age of multiple broadcast deliverables. We sometimes use the term “Adobe magic” to describe those features that really make ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.