It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 29, 2017, 01:02 PM
http://nofilmschool.com/2017/06/chris-harvey-vfx-n...
Chris Harvey has one of the most impressive visual effects track records of the past decade: he was VFX Supervisor on TRON: Legacy and Zero Dark Thirty and has worked on such visual marvels as Watchmen and The Tree of Life. He could probably get any job in Hollywood. Instead, he’s turned in the exact opposite direction.
June 29, 2017, 09:51 AM
http://theangryvideoguy.com/index.php/2017/06/29/v...
El Ranchito has posted their VFX Breakdown of shots completed for the series Colony. An award winning studio, They have experience encompassing over 40 feature films and numerous TVC’s.
#tv#vfx breakdown#vfx breakdowns#colony#el ranchitoJune 29, 2017, 05:29 AM
http://www.artofvfx.com/view-conference-2017-new-g...
More great speakers have been announced for View Conference 2017!
June 28, 2017, 05:56 PM
http://postperspective.com/dell-partners-sony-spid...
By Jay Choi Sony Pictures Imageworks used Dell technology during the creation of the Spider-Man: Homecoming film as well as the Spider-Man: Homecoming Virtual Reality Experience. To celebrate, Dell and Sony held a press junket in New York City that included tech demos and details on the VR project. Continue reading → June 28, 2017 The post Dell partners with Sony on Spider-Man film and VR experience appeared first on Randi Altman's postPerspective.
June 28, 2017, 09:08 AM
http://boscpug.org/artav-chooses-hyperdeck-studio-...
ArtAV, one of the leading companies providing AV services to some of the world’s top artists, museums and theaters, is using HyperDeck Studio Pro and HyperDeck Studio Mini broadcast decks with its Synchronizer product line.
June 28, 2017, 09:07 AM
http://lesterbanks.com/2017/06/maya-vr-bridge-maru...
A recent release of the MARUI plugin for Autodesk Maya saw new support for the HTC Vive. Early support for the plugin initially worked with only the Oculus Rift. MARUI is a complete VR system The Post Maya VR Bridge MARUI Adds Support for Vive originally appeared and published on %%BLOGLINK%,by lesterbanks
June 27, 2017, 01:52 PM
http://www.studiodaily.com/2017/06/vr-extravaganza...
Imagine a puppet show — a really horrible puppet show that’s badly acted, offensive in pretty much every way and violent to the point of puppets losing limbs. Now imagine that you, the viewer using a VR headset, have somehow become trapped as a puppet in that hellish show, which is being performed for a clueless […] The post This VR “Extravaganza” Is Immersive, but Highly Problematic appeared first on Studio Daily.
June 27, 2017, 01:52 PM
http://nofilmschool.com/2017/06/rocketstock-interf...
Heads Up Displays, or HUDs, are a great way to add a high tech vibe to film projects. It all started with Minority Report (2002); the film’s floating computer displays were so influential they even inspired real-world innovations. And where would Tony Stark be without them in the Iron Man movies, where the shots inside his suit are accompanied by slick holographic interfaces?
June 27, 2017, 09:30 AM
http://www.artofvfx.com/wonder-woman-alex-wuttke-v...
In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.
June 27, 2017, 07:13 AM
http://www.cgmeetup.net/home/bolshoy-vfx-breakdown...
CGF // Visual Effects Facility – A Valeriy Todorovskiy film vfx breakdown.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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