To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Michael Raphael and Rudy Trubit - Lionel Train Rec
April 6, 2015, 04:53 AM
http://soundworkscollection.com/news/soundworks-co...
This week we spoke with sound recordist Michael Raphael from Rabbit Ears Audio and Rudy Trubit who is the Director of Audio for Lionel Trains.
Patterns of Feeling - The Music of 'American Crime
April 6, 2015, 04:52 AM
https://www.youtube.com/watch?v=F239jseqea4
Famed composer Mark Isham joins Elizabeth Wagmeister in the Variety newsroom to talk about the unique score for "American Crime" and why he and creator John Ridley chose a musical style no TV executive would normally approve.
ProTools Steps Pt. 4 - Create a New Session
April 6, 2015, 04:52 AM
http://www.pro-tools-expert.com/home-page/2015/4/6...
When creating a new session it is so easy to just give the session a name and click the Save button and miss out the Session Parameters and where on the system you have just saved your new session to, leading to the cry “I can’t find my session”!
How to Improve Gain Staging In Your DAW
April 6, 2015, 04:52 AM
http://www.sonicscoop.com/2015/04/06/video-tutoria...
In this tutorial, I’ll go through some of the issues that are big red flags. If you’re needing some help with gain staging in your sessions, I’ll help you to solve them with some quick and easy tips — for any recording software — that will help you get better sounding mixes, faster (and with less of a headache too).
AE Tutorial - Rotoscoping With Mocha
April 5, 2015, 01:36 PM
https://www.aotg.com/ae-tutorial-rotoscoping-with-mocha/
After Effects Tutorial - Rotoscoping With Mocha - In this Adobe After Effects tutorial I show you how to rotoscope using Mocha for After Effects as well as h...
Exploring Workflow, Storage & Archive in M&E– Ge
April 5, 2015, 07:02 AM
http://www.provideocoalition.com/exploring-workflo...
As I’ve been exploring what it means to effectively utilize workflow, storage and archive in our industry, I’ve seen these concepts go far deeper than I initially imagined. A workflow for a small post house might be very similar to what a workflow for a major studio looks like in principle, but in practice those workflows come together and function in a very different way. Similarly, having a storage capacity of 30TB might be more than some content creators need, while others are getting...
Not All Colors Are Born Equal
April 5, 2015, 03:25 AM
http://waondering.com/2015/03/25/not-all-colours-a...
A short article on Color Dynamics, Depth Perception and the Infamous Teal and Orange Look
#color contrast#color dynamics#teal and orange#depthCONTINUITY: CROSSING LINES AND MARKING BEATS
April 5, 2015, 03:15 AM
http://waondering.com/2015/04/03/continuity-lines-...
A few examplesof how crossing the line while maintaining continuity can be achieved in various ways. Most importantly how these ‘crossings’ tend to happen at key moments within scenes, breaking the content in various ‘beats’. This separations break down the various objectives, driving forces and twists within single scenes thus guiding the audience understanding of it all.
Birdman's Shifting Spaces
April 4, 2015, 07:22 PM
https://www.aotg.com/birdmans-shifting-spaces/
"Swerving and halucinating, this megalomanic backstage comedy runs us along all the perverted, hysterical stations of theatre life", Filmkrant-critic Ronald Rovers wrote about Alejandro González Iñárritu's Oscar-winner Birdman. The swerving and the halucinating indeed go hand in the film...
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