To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Blackmagic Design Announces Teranex 3.2 Update Add

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http://bosfcpug.org/blackmagic-design-announces-te...

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Cinedeck offers file-based insert editing of final

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http://postperspective.com/cinedeck-offering-file-...

Cinedeck has developed a software solution for its platforms, which they call  File-Based Insert Editing. It allows insert editing on digital deliverable files. Thiis software eliminates the need to edit and re-render entire final program content, or editing and laying off to tape then re-encoding to a delivery file. File-based Insert Editing will be available with the upcoming May software upgrade — to Version 5 — for the Cinedeck RX, MX and ZX record, ingest and transcode platforms...

London’s Milk VFX house expands to Wales

March 26, 2015, 12:15 PM

http://postperspective.com/londons-milk-vfx-house-...

London-based Milk VFX is opening a second studio in Cardiff, Wales, to support its expanding roster of TV and feature film projects such as ITV’s 13-part warrior drama Beowulf and Thunderbirds are Go, Fox TV’s The Bastard Executioner, Hartswood/BBC’s Sherlock, as well as the feature film Poltergeist and the recently completed Insurgent, the second offering in the Divergent series. Milk’s new studio is located at the GloWorks building in Cardiff Bay — the Welsh Government’s fla...

Hawaiki Keyer for FCP X, Premiere Pro, After Effec

March 26, 2015, 12:15 PM

http://fxfactory.com/blog/after-effects/hawaiki-ke...

Hawaiki Keyer is a powerful new keying solution for Final Cut Pro X, Premiere Pro, After Effects and Motion. Create great-looking mattes and make easy work of fine, wispy hair detail and tricky motion blur. Hawaiki Keyer offers a powerful set of matte extraction tools and includes optional built-in core and outer mattes to overcome even […]

Score for ‘Insurgent’ Emphasizes Emotion in Dy

March 26, 2015, 12:14 PM

http://variety.com/2015/artisans/production/compos...

Trapanese — who, as orchestrator, helped make Daft Punk sound good on “Tron: Legacy” and M83 on “Oblivion” — was hired by director Robert Schwentke to score the “Divergent” sequel. He had already read the books by Veronica Roth. “(Roth) has created a really special world,” Trapanese says, “and I’ve been hoping to help create a sonic world for it for some time.”