It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 19, 2014, 12:45 PM
https://www.aotg.com/font-styles-library-demo/
A dockable panel to save font styles for easy use...
October 19, 2014, 08:13 AM
http://www.hollywoodreporter.com/behind-screen/ves...
It's not unusual for department heads to be hired onto features at different times, but these productions can benefit — creatively and likely with cost savings — if they join forces at the same time so that they can get involved, plan and collaborate, starting in prepro. That was the message of a panel at the Visual Effects Society Production Summit.
October 17, 2014, 05:26 PM
https://www.aotg.com/ae-world-andrew-kramer-keynote-speech-full/
Join Andrew Kramer as he discusses his motivation for becoming a better artist with humorous stories, personal challenges and advice for all Digital Artists!...
October 17, 2014, 09:37 AM
http://www.cgmeetup.net/home/pixelvienna-9-austria...
PIXELvienna 9 – the Annual Austrian Conference on Computer Graphics and Animation – is taking place on November 7th – 9th 2014. Located within the beautiful setting of the Austrian Academy of Sciences in the historical city center of Vienna, it provides CG fans from all around the world with an opportunity to get valuable insights into current developments in the field of CGI and animation, to showcase their work to international industry prominence or to just meet and chat with like-minde...
October 17, 2014, 04:43 AM
http://www.3dvf.com/actualite-11063-ilm-londres-in...
After opening its UK branch last year, the ILM studio has just opened its new building in the heart of London in Soho (where is most of the major studios and postprod 3d).
October 17, 2014, 04:42 AM
This is "Tutorial 23 Preview - Smoke vs Fire" by BW Design on Vimeo, the home for high quality videos and the people who love them.
October 16, 2014, 11:51 AM
http://www.btlnews.com/crafts/visual-fx/zero-vfx-d...
Boston-based ZERO VFX recently delivered over 600 visual effects shots for The Equalizer starring Denzel Washington. Company co-founder Sean Devereaux served as visual effects supervisor.
October 16, 2014, 11:50 AM
http://lesterbanks.com/2014/10/comparing-nuke-effe...
A detailed look at using both Nuke and After Effects for compositing tasks & comparing typical challenges in compositing in each application layers vs nodes
October 16, 2014, 11:49 AM
http://narrative.ly/hidden-hollywood/the-stuntmen-...
On the show, Bill Cosby played a secret agent. Never before had a black man held a leading role on an American television drama. Casting Cosby was viewed as revolutionary — and controversial. But another revolution began the day Cosby came face-to-face with his stunt double — a white man who had been painted black. They not only painted the man, they used a hue of makeup that didn’t even come close to Cosby’s brown skin color, as Cosby recalled to an audience at the 2008 Black Stuntmenâ€...
October 16, 2014, 08:40 AM
http://prmac.com/release-id-71141.htm
Red Giant today released Offload, a brand new standalone application for reliable backup of footage in the field. Available alone or as part of the Red Giant Shooter Suite, Offload makes the often unreliable and tedious task of backing up files from camera card to laptop and external drives a hassle-free experience. Offload is media and camera agnostic, and requires no additional equipment used in the normal footage offload process.
#vfx#red giant#backup#shooter suite#offload#camera agnostic
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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