To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Jeff Altman joins Filmworkers Chicago

March 9, 2015, 12:12 PM

http://postperspective.com/colorist-jeff-altman-jo...

Jeff Altman has joined Chicago’s Filmworkers staff as a colorist. A Chicago native,  Altman (no relation to the Altman who runs this site) spent the past two years in New York, working on advertising, digital content and feature film projects. On the commercial side, he’s done work for Pepsi, Capital One, Verizon, Intel and Mountain Dew, among other brands. His long-form credits include the independent features 6 Years from director Hannah Fidell, slated to premiere at this year’s So...

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Bluefish444 Epoch 4K Neutron Now Supports Scratch,

March 9, 2015, 12:12 PM

http://www.studiodaily.com/2015/03/bluefish-444-ep...

Users of Assimilate Scratch 8, Avid Media Composer 8 and Adobe Creative Cloud—including After Effects CC, Speed Grade CC, Audition CC and Prelude CC—can now support SDI/HDMI playback when using Bluefish 444's smaller form-factor Epoch 4K Neutron and Epoch Neutron uncompressed video cards. Version … more » The post Bluefish444 Epoch 4K Neutron Now Supports Scratch, Avid, and Adobe appeared first on Studio Daily.

0 0 0 Industry News
NEW: Red Giant Volume Program

March 9, 2015, 12:12 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Introducing the new Red Giant Volume Program – a floating license subscription​ program, designed for organizations with multiple artists, workstations, and facilities. This is a brand new affordable and flexible program that makes things like licensing, installation and updating, both easy and cost effective. Our volume program is available to customers ordering 10 or more […]

0 0 0 Industry News
Creative Pro User Group Network Announces Las Vega

March 9, 2015, 12:12 PM

http://bosfcpug.org/creative-pro-user-group-networ...

SuperMeet promises to be the single largest gathering of Final Cut Pro, Adobe, Avid and DaVinci Resolve editors, gurus, digital filmmakers and content creators during the 2015 NAB Show.

0 0 0 Events
FCPX Feature Film Workflow

March 9, 2015, 10:11 AM

http://jonnyelwyn.co.uk/film-and-video-editing/fcp...

Hopefully this is the web's most comprehensive round up of the articles, tutorials, tips, book reviews and videos on the FCPX centric workflow used on the Hollywood studio feature film - Focus

0 0 0 Article
#fcpx#assistant editing#focus#feature film
Focus DP on Using FCPX

March 9, 2015, 09:31 AM

http://filmmakermagazine.com/93344-today-lies-not-...

Early in the new film Focus, a veteran con man played by Will Smith teaches his fledgling grifter protégé (Margot Robbie) the tools of the trade: misdirection, deception, subliminal suggestion. They’re a few of the tools applied in Focus by cinematographer Xavier Grobet as well, who is tasked with not only making the New York, New Orleans and Buenos Aires locations sleek and alluring but also with pushing audiences alternately toward and away from the plot’s various double-crosses.

0 0 0 Blog
Chappie: Bringing an A.I. Robot to Life

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https://www.aotg.com/chappie-bringing-an-a-i-robot-to-life/

Neill Blomkamp's new dystopian sci-fi thriller "Chappie" stars a fully digital A.I. robot as the title character, acted out by Sharlto Copley. Mike Seymour g...

0 0 0 Video
Get More Views: 10 Basic Tips for Posting Online V

March 9, 2015, 09:30 AM

http://www.premiumbeat.com/blog/get-more-views-10-...

What's the point of posting video online if nobody is going to see it? Up your views with these basic tips for posting online video. The post Get More Views: 10 Basic Tips for Posting Online Video appeared first on The Beat: A Blog by PremiumBeat.

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When scripted AEs move to Reality TV

March 9, 2015, 09:30 AM

http://renderplease.com/post/113170466415

0 0 0 Humour
Making sounds in the editing room

March 9, 2015, 09:30 AM

http://www.redsharknews.com/post/item/2424-making-...

Guest Author Vladomir Boboshin details exactly what you can do when your role shifts from editor to emergency sound designer. EditingSoundAudiofilteringsound effectsEQpitch shift

0 0 0 Blog
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