It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 12, 2017, 08:06 AM
https://jonnyelwyn.co.uk/film-and-video-editing/da...
In this post I’ve brought together some helpful tips and tricks for colorists working in DaVinci Resolve 14, plus I take a look back at some previous Resolve posts from 2017!
#davinci resolve#tutorials#training#colour grading#tips and tricksDecember 11, 2017, 08:57 AM
https://www.aotg.com/the-end-of-the-fing-world-graded-with-res/
Blackmagic Design has today announced that the final Digital Intermediate (DI) for Channel 4’s graphic novel adaptation, “The End of The F•••ing World” was completed in DaVinci Resolve Studio by London post house CHEAT.
#grading#post#davinci resolve studio#conformDecember 11, 2017, 08:54 AM
https://www.aotg.com/resolve-used-for-murder-on-the-orient-express/
Blackmagic Design today announced that its DaVinci Resolve Studio was used to manage the color pipeline, including onset dailies and final grade, on Kenneth Branagh’s adaptation of Agatha Christie’s classic, Murder on the Orient Express.
#grading#post#dailies#davinci resolve studio#online editDecember 6, 2017, 07:57 AM
https://www.aotg.com/davinci-resolve-studio-used-on-girls-music-video/
Blackmagic Design today announced that Blackmagic URSA Mini Pro and DaVinci Resolve Studio were used for popular singer Kana Nishino’s new music video for her song “Girls.” Nobu Sueyoshi both directed and shot the video, and Toru Miura, a colorist and DIT from Spice Inc., provided color correction.
#color grading#post production#color correctionDecember 5, 2017, 08:16 PM
http://www.studiodaily.com/2017/12/technicolor-cha...
Take a crash course on the history and technology of Technicolor, from the company’s founding in 1914 through the use of its technology in films including The Wizard of Oz and Singin’ in the Rain, in this video by Vox’s Phil Edwards. The post How Technicolor Changed Movies appeared first on Studio Daily.
December 2, 2017, 03:29 PM
https://fstoppers.com/video-editing/easy-cinematic...
Lately, LUTs have become very popular with many people talking about them, why is that? It’s essentially a color preset that you can use in any of your work that easily changes the overall look. You can create your own LUTs or find one of the several premade ones to download from several sources online. If you are looking for a fast and easy way to get a more cinematic color grading in your next video project but not sure how to apply LUTs in your work stay tuned.
November 30, 2017, 01:19 PM
http://postperspective.com/filmlight-adds-colorist...
FilmLight has hired colorist Andy Minuth as color workflow specialist. Minuth, originally from Germany, was most recently lead colorist at 1000Volt Post Production in Istanbul. There he was responsible for the grade of commercials as well as feature films, and worked on FilmLight Baselight. He brings a deep technical knowledge of image processing and color management to the job, Continue reading → November 30, 2017 The post FilmLight adds colorist Andy Minuth as workflow specialist appe...
November 29, 2017, 07:53 AM
https://www.aotg.com/more-than-40-tv-series-use-blackmagic-design/
Blackmagic Design today announced that a variety of its production and post products are being used by DPs, DITs, VFX artists, online editors and colorists to complete many of the fall 2017 season’s new and returning television shows and streaming series. More than 40 shows rely on Blackmagic Design’s digital film cameras; Fusion Studio visual effects (VFX), compositing, 3D and motion graphics software; and DaVinci Resolve Studio editing, color correction and digital audio software.
#editing#vfx#color grading#post production#color correctionNovember 28, 2017, 05:49 AM
https://www.aotg.com/color-by-numbers-devdas/
This is "Color By Numbers: Devdas" by Fandor on Devdas
November 25, 2017, 07:58 AM
https://ideas.ted.com/how-color-helps-a-movie-tell...
A sunny, hopeful yellow. An introspective turquoise. An arresting, violent red. When you see a color in a film, what you see is no accident — filmmakers carefully compose each frame and make color decisions that affect your experience of watching, even if you don’t realize it. Here are the ways in which filmmakers use color to deepen narrative.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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