To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Dartmouth’s Media Production Group Chooses Cineo

November 21, 2017, 12:17 PM

https://www.aotg.com/dartmouths-media-production-group-chooses-cineo/

When the Media Production Group at Dartmouth College built a studio to produce educational content for students, it had the opportunity to custom design the space - from the lighting to a control room. Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and photography industries, quickly made the grade to become the college's lighting choice on set.

#cineo lighting#cineo
5 Mistakes You Should Avoid When Color Grading

November 15, 2017, 07:58 AM

http://nofilmschool.com/2017/11/watch-5-mistakes-y...

Color grading can be tricky, so try to avoid falling into these common traps.

SGO demonstrates HPA award-winning softwares Misti

November 14, 2017, 06:11 AM

https://www.sgo.es/sgo-demonstrates-hpa-award-winn...

SGO will be showcasing Mistika with exclusive demonstrations on VR, FX, Colour grading and finishing with a special focus on

Color plays big role in director Sean Baker’s Th

November 13, 2017, 02:41 PM

http://postperspective.com/color-plays-big-role-di...

Director Sean Baker is drawing wide praise for his realistic portrait of life on the fringe in America in his new film The Florida Project. Baker applies a light touch to the story of a precocious six-year-old girl living in the shadow of Disney World, giving it the feel of a slice-of-life documentary. Continue reading → November 13, 2017 The post Color plays big role in director Sean Baker’s The Florida Project appeared first on Randi Altman's postPerspective.

Curso *Color Management*, por Santiago Svirsky y S

November 6, 2017, 02:33 PM

http://saeditores.org/Novedades/Curso-Color-Manage...

La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción a la primera edición del curso Color Management, dictado por Santiago Svirsky y Sebastián Toro -socios adherentes de nuestra asociación- y auspiciado por la ADF (Autores de Fotografía Cinematográfica Argentina). El curso se desarrollará en una única jornada, el sábado 2 de diciembre, de 15 a 20 horas, en Avenida Caseros 574 1º A, Ciudad de Buenos Aires...

"Strays" Color Corrected with DaVinci Resolve

November 6, 2017, 10:50 AM

https://www.aotg.com/strays-color-corrected-with-davinci-resolve/

Blackmagic Design today announced that independent filmmaker Aaron Dunleavy has produced his latest short film, Strays, using the Blackmagic URSA Mini 4.6K digital film camera and DaVinci Resolve for color correction.

#color grading#post production#color correction
FCPX 10.4 Gets Enhanced Color and VR Support

November 2, 2017, 06:58 AM

https://www.videomaker.com/videonews/2017/11/final...

This week, Apple kicked off the third-annual Final Cut Pro X Creative Summit in Cupertino, CA, with the announcement of the Final Cut Pro X version 10.4 and a number of demos that showed off what professional video editors have to look forward to with the new updates.

How to Color Grade in FCP and Create Your Own LUTs

October 31, 2017, 05:05 AM

https://fstoppers.com/education/how-color-grade-yo...

Color grading is one of the important parts of the editing process, as it can give your video footage a very personal look that differentiates it from your peers. This awesome video will show you not only how to color grade your footage, but how to create and save your own looks to apply down the road.

The Ghazi Attack Graded on DaVinci Resolve

October 24, 2017, 05:56 AM

https://www.aotg.com/the-ghazi-attack-graded-on-davinci-resolve/

Blackmagic Design today announced that B2H Studios Private Limited, an entertainment company focused on providing world-class services to the global cinema industry, graded ‘The Ghazi Attack’ on Blackmagic Design’s DaVinci Resolve. The decade old company has two coloring suites in Chennai & and one in Hyderabad (South India).

#color grading#post production#color correction
Colorist Michael Smollin Joins Fancy Film

October 17, 2017, 12:40 PM

http://www.broadcastbeat.com/colorist-michael-smol...

New Senior Colorist will lead the facility’s effort to extend it footprint in finishing for independent film and television series. LOS ANGELES—Veteran colorist Michael Smollin has joined Fancy Film, the independent post-production facility based in Los Angeles’ Silver Lake neighborhood. Smollin, whose credits span features, episodics, reality series and documentaries, will serve as the facility’s ...

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