To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

'Kingsman' Uses DaVinci Resolve Studio

September 26, 2017, 05:56 AM

https://www.aotg.com/kingsman-uses-davinci-resolve-studio/

DaVinci Resolve Studio has been used throughout production and post production on 20th Century Fox’s “Kingsman: The Golden Circle,” including SDR and HDR delivery. Joshua Callis-Smith was responsible for the onset dailies while the online edit and final DI were completed by Goldcrest Post.

#editing#color grading#dailies#dit#conform
Framestore colorist Edwin Metternich moves from Lo

September 25, 2017, 04:57 PM

http://postperspective.com/framestore-colorist-edw...

Colorist Edwin Metternich has relocated to Framestore’s new Chicago office, which opened in May, from the company’s London studio. Metternich joined Framestore as a runner in 2007, moving quickly into the color team as an assistant and progressing into grading after only a couple of years. Metternich has worked on a many of projects including Framestore’s first video game VFX job Guitar Hero Live and The Eye for Audi. Continue reading → September 25, 2017 The post Framestore color...

Learn the Basics of Using Color as a Powerful Stor

September 25, 2017, 04:35 AM

http://nofilmschool.com/2017/09/learn-basics-using...

How do you tell a story? If you're a filmmaker you know that you have so much more than the written word at your disposal. You have dialogue, camera movement, framing, costuming, set design, and editing all there waiting to inform and entertain your audience. But there is one very powerful narrative element that should never go unnoticed on any film production: color.

IBC 2017: SGO's Geoff Mills

September 23, 2017, 08:37 AM

https://www.aotg.com/ibc-2017-sgos-geoff-mills/

SGO was touting its multidimensional workflows, which essentially takes their core technology and feature set in Mistika Ultima and creating separate applications. Mistika VR was also being shown, featuring a new stereo toolset.

SGO shows Mistika's workflow flexibility & VR fea

September 18, 2017, 11:46 AM

http://www.postmagazine.com/Press-Center/Daily-New...

AMSTERDAM — Madrid, Spain’s SGO was at IBC2017 with the latest developments to Mistika Ultima, the company’s turnkey solution for finishing. SGO also showed Mistika VR with new Stereo 3D functionality, and the recently-launched free education software, Mistika Insight. In addition, SGO showed a preview of Mistika FX as part of the natively integrated workflow with Mistika VR.

Adobe SpeedGrade CC Is Dead; Long Live Lumetri Col

September 14, 2017, 09:46 AM

https://www.videoguys.com/blog/adobe-speedgrade-cc...

Adobe has said goodbye to Adobe SpeedGrade CC and will now have their full attention on their Lumetri Color Panel. Bryant Frazer reports on the latest from Adobe below. Adobe SpeedGrade CC reached end-of-life this week, as Adobe ceased all development on the powerful standalone color-grading application. The move doesn’t actually come as a surprise. Read More The post Adobe SpeedGrade CC Is Dead; Long Live Lumetri Color – Studio Daily appeared first on Videoguys Blog.

3 Different Types of LUTs That Filmmakers Use

September 10, 2017, 07:01 AM

http://nofilmschool.com/2017/09/3-different-types-...

LUTs are an essential tool for any filmmaker. They can make your images more stylish, rich, and dynamic while making the process of color grading a whole lot easier to navigate. This aesthetic purpose is typically what a lot of new filmmakers think about when they think about LUTs, but these color tools can actually do a lot more than that. In this video, Ted Sim from Aputure lays out the different kinds of LUTs filmmakers use as well how they use them on and off set.

How Picasso Can Take Your Film to the Next Level

September 8, 2017, 04:19 AM

https://www.aotg.com/how-picasso-can-take-your-film-to-the-next-level/

What can we learn from Pablo Picasso's style and philosophy and apply to filmmaking and editing?

SGO to demonstrate new multi-dimensional workflow

September 7, 2017, 05:53 AM

https://www.sgo.es/sgo-to-demonstrate-new-multi-di...

Collaborative solutions include Mistika Ultima with Mistika Co-Pilot, Mistika VR with new Stereo 3D toolset, Mistika Insight and Mistika FX

Why Protecting Your Dynamic Range Is Killing Your

September 6, 2017, 05:53 PM

http://noamkroll.com/color-grading-rant-why-protec...

As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic look.

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