To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Avid S1 - What Are Normal And Channel Mode?

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https://www.pro-tools-expert.com/home-page/avid-s1...

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Free MemoryMoog Plugin - IK Multimedia Syntronik M

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https://www.pro-tools-expert.com/home-page/free-ik...

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https://lesterbanks.com/2021/02/how-to-bake-displa...

Reimagine Fx shows how to use the Arnold Utility to bake displacement maps to an object. Long-time Maya users will know that you can convert displacements to geometry using the handy “Convert” under the Modify menu. There

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https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

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https://postperspective.com/artifex-employs-covid-...

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Sofia Coppola to Receive Board of Governors Award

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https://www.aotg.com/sofia-coppola-to-receive-board-of-governors-award/

The American Society of Cinematographers (ASC) will present writer-producer-director Sofia Coppola with the organization’s Board of Governors Award during the 35th Annual ASC Awards on April 18, which will be live streamed from the ASC Clubhouse in Hollywood.

#cinematography#asc awards#asc#cinematographers
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https://www.aotg.com/television-series-rely-on-blackmagic-design/

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#blackmagic design#fusion#decklink#davinci resolve studio#pocket cinema camera 6k
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http://www.postmagazine.com/Press-Center/Daily-New...

STUDIO CITY, CA — The Motion Picture Sound Editors (mpse.org) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades, including Mad Max,  Mad Max 2: Road Warrior,  Mad Max Beyond Thunderdome and  Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the hit  Happy Feet. He also earned Oscar nomination...

Feature colorist Yvan Lucas now with Company 3

February 18, 2021, 01:57 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Company 3 (https://company3.com) has announced the addition of colorist Yvan Lucas to its artist roster. Lucas has colored a number of award-winning features, including The Irishman,  Once Upon a Time in Hollywood,  Django Unchained,  Snowpiercer,  Argo,  Shutter Island and  Inglorious Basterds. His career includes work at a variety of facilities, most notably Efilm (now part of Company 3), and as an in-demand freelance colorist in the US and his native France. 

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