To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Making Bingle’s Chimpfall Commercial

March 2, 2015, 01:26 PM

http://www.themillblog.com/2015/02/how-no-real-chi...

The Mill teamed up with The Monkeys and Goodoil Films for “Chimpfall,” the latest ad from Australian car-insurance provider Bingle. The spot features Joni, a blindfolded chimpanzee dropped from a plane. The catch is she has to fill out a car insurance quote before the parachute is released. It’s that easy.

David Moritz on working with Wes Anderson

March 2, 2015, 11:56 AM

http://www.aotg.com/index.php?page=cuttingroom_163

Here’s part two of my interview with David Moritz, originally recorded during Editors Retreat 2015. David’s work began after he started as a music editor and transitioned to editor under the mentorship of Richard Marks. He began working with Wes Anderson when Wes directed his first feature, Bottle Rocket. Since then his career has taken off and he’s become one of the top editors and fixers in the industry.

#editing#comedy#post production#wes anderson#david moritz#ad-libbing#editors retreat
Making of Bingle 'Chimpfall'

March 2, 2015, 10:41 AM

https://www.aotg.com/making-of-bingle-chimpfall/

Bingle's "Chimpfall," featuring Joni the skydiving chimpanzee, who shows us just how easy it is to get a Bingle car insurance quote, even in mid air. Find out how…

Proper Green Screen Tips and Techniques

March 2, 2015, 10:40 AM

http://www.premiumbeat.com/blog/proper-green-scree...

Get the green screen tips and techniques you need to properly shoot a composited sequence for your next project. The post Proper Green Screen Tips and Techniques appeared first on The Beat: A Blog by PremiumBeat.

Cinema 4D Advanced Production Techniques 2

March 2, 2015, 10:40 AM

http://lesterbanks.com/2015/03/cinema-4d-advanced-...

A new release of Cinema 4D Advanced Production Techniques covers advanced techniques in physical based rendering, plugin development and more.

Autodesk announces Maya LT 2016

March 2, 2015, 10:40 AM

http://www.cgchannel.com/2015/03/autodesk-announce...

Indie-game-focused version of Maya to get new brush-based sculpting and UV workflows, PBR shading.

Unity 3d Tutorial Realistic Soft Bodies / Making a

March 2, 2015, 10:39 AM

https://www.aotg.com/unity-3d-tutorial-realistic-soft-bodies-making-a/

Step by step guide to making a more realistic soft body using a skinned mesh. This is useful for items we want to throw that aren't solid and we want to thro...

House of Cards Look

March 2, 2015, 05:59 AM

http://www.slate.com/articles/video/video/2015/03/...

To be clear, House of Cards has excellent cinematography. Every shot is composed with precision and austere elegance, all emphasizing the cold, calculating world of Frank Underwood. In this podcast interview, the series cinematographer Igor Martinovik elaborates on how the show uses its visual style to emphasize its story; for instance...

Interviews of the Week #9

March 2, 2015, 05:59 AM

http://www.artofvfx.com/?p=11238

Ian Hunter is in the world of special effects for more than 25 years. He is one of the co-founder of New Deal Studios. He has worked on many films such as BATMAN RETURNS, PITCH BLACK, WAR OF THE WORLDS or THE DARK KNIGHT. He just won the Oscar and BAFTA for Best Visual Effects for INTERSTELLAR.

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