It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 17, 2015, 05:49 AM
http://www.redsharknews.com/technology/item/2374-e...
If we don't do something fast, all of our digital films and videos will disappear in just a few years Storagebackuparchivelongevityvint cerftcp/ipGoogle VPGoogle Vice President
February 17, 2015, 05:48 AM
http://www.fcp.co/final-cut-pro/articles/1605-taki...
Standby for three minutes of incredible video. Rob Whitworth takes hyperlapses to a new level (quite literally) in this not to be missed Vimeo video.
February 17, 2015, 05:48 AM
http://provideocoalition.com/bhallett/story/blackm...
The Intensity Pro 4K is a new super fast PCIe card that allows you to capture and playback SD, HD and Ultra HD video on Windows, Mac and Linux PCI Express computers
February 17, 2015, 05:46 AM
https://www.aotg.com/review-of-the-cfx-concert-grand/
In this video James takes a look and a listen to the CFX Concert Grand piano library by Garritan and Abbey Road Studios. This is so much more than just one piano in a room. James tries this library on classical, jazz and rock music to find out how it works for different musical styles.
February 17, 2015, 05:46 AM
http://www.newsshooter.com/2015/02/17/blackmagic-d...
Blackmagic Design have anoounced the new Intensity Pro 4K for capturing video straight to your computer. The output of your camera can be captured in real time with or without compression and then used with popular Mac and Windows video software. Files can be saved in professional compressed formats, like ProRes and DNxHD, or as fully uncompressed 10-bit video. Intensity Pro 4K has all the same features as the original Intensity Pro capture card but now you also get Ultra HD and 1080p60 high fra...
February 17, 2015, 05:46 AM
http://www.panoramaaudiovisual.com/2015/02/17/blac...
The new card capture and playback of content in SD, HD and Ultra HD from computers with Windows, Mac or Linux operating systems that have a PCIe slot cards.
February 17, 2015, 05:46 AM
http://www.hdwarrior.co.uk/2015/02/17/warning-for-...
FCPX has not recognised XAVC L for a while now, this has been documented by HDW with the problem ingesting from the PXW-X70 camcorder using XAVC HD, but this XQD problem is a lot more sinister.
February 17, 2015, 05:46 AM
http://www.pro-tools-expert.com/home-page/2015/2/1...
Russ Hughes, Mike Thornton, James Ivey and Julian Rodgers bring you a bumper show catching up with talking points, tips, tricks and questions answered.
February 17, 2015, 04:27 AM
http://www.premierebro.com/blog/4-tips-for-warp-st...
Learn 4 ways to improve your footage stabilization results using Premiere Pro's Warp Stabilizer.
February 16, 2015, 05:33 PM
http://www.hitfix.com/in-contention/best-visual-ef...
HitFix takes a look at a Best Visual Effects Oscar race that once seemed a foregone conclusion but now feels like it could be a real race.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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