It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 13, 2015, 05:41 AM
http://www.broadcastbeat.com/2015-nab-show-to-add-...
NAB Show Adds Online Video Conference http://t.co/wZihWXhHdg Source: www.tvnewscheck.com See on Scoop.it – Broadcast Engineering
February 13, 2015, 05:41 AM
http://www.redsharknews.com/post/item/2364-oscar-n...
X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns. Oscars 2015Academy AwardsVisual EffectsVFXMPCDigital DomainRising Sun PicturesObjects, IncRichard StammersLou PecoraTim CrosbieCameron Waldbauer
February 13, 2015, 05:40 AM
http://blogs.adobe.com/contentcorner/2015/02/13/ad...
Get the 13.1 update for Premiere Elements, and you get some nifty enhancements with useful fixes to make your video editing smoother. See sample text before using a font: A visually enhanced font selection interface lets you see what a font looks like, before you use it. The drop-down list displays sample text for each font, making selections for your titles and text that much easier. Access to Instant Movies and Video Story: Start creating an instant movie or a video story as soon as you ...
February 13, 2015, 05:40 AM
http://www.redsharknews.com/production/item/2367-n...
While 4K is becoming commonplace, and even 8K is obtainable, the latest medium format digital cameras from Phase One allow timelapse shooting at 10K resolution 4K8K10KPhase OneIQ180Medium Format
February 13, 2015, 05:40 AM
http://www.btlnews.com/crafts/visual-fx/brickyard-...
Boutique visual effects, animation and digital production studio Brickyard VFX recently completed the animated short film “Soar” for Disney Parks in collaboration with director Claire Jantzen of Adolescent Content. The short, via ad agency mcgarrybowen Chicago together with Disney's in-house agency Yellow Shoes, is slated to air in theaters as well as on the Disney Channel.
February 13, 2015, 05:39 AM
https://www.aotg.com/2014-ace-eddie-awards-best-edited-documentary-for-2/
2014 ACE Eddie Awards Best Edited Documentary For Feature Film - 2014 ACE Eddie Awards Opening Sequence American Cinema Editors
February 13, 2015, 05:39 AM
https://www.aotg.com/2014-ace-eddie-awards-career-achievement-award/
2014 ACE Eddie Awards Career Achievement Award - Robert C Jones - Montage
February 13, 2015, 01:39 AM
https://www.kickstarter.com/projects/1720914888/bl...
I just wanted to share with you all my upcoming ambitious short film Blue Borsalino, a neo-noir that's got a lot of attention so far. I'm very fortunate to have Chris Smith (Creep, Black Death, Severance) on board as Executive Producer - and a brilliant team have formed the rest of the crew whilst we are now casting some very exciting names indeed! We are a couple of backers away from reaching 300 supporters from all around the world. Take a look!
February 12, 2015, 05:31 PM
https://digitalfilms.wordpress.com/2015/02/12/prep...
. The modern direction in file-based post production workflows is to keep your camera files native throughout the enter pipeline. While this might work within a closed loop, like a self-contained Avid, Adobe or Apple workflow, it breaks down when you have to move your project across multiple applications. It’s common for an editor to […]
February 12, 2015, 05:31 PM
http://provideocoalition.com/awilt/story/hpa-tech-...
At the Tech retreat today: technical aspects of 4K capture, grading colorspaces, ACES 1.0, and... wait for it... drones for dummies! [Initial post 13:07 PST: I'll be updating this article during the day (midafternoon, early evening) as the event continues.] The HPA Tech...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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