To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Oscar-nominee Ben Wilkins on Whiplash’s audio mi

February 11, 2015, 03:28 PM

http://postperspective.com/oscar-nominee-ben-wilki...

With a BAFTA for his work on the film already in hand, this audio post pro walks us through his process. By Randi Altman When I first spoke with Ben Wilkins, he was freshly back from the Oscar-nominee luncheon in Hollywood and about to head to his native England to attend the BAFTAs. Wilkins was nominated by both academies for his post sound work on Sony Picture Classics’ Whiplash, the Damien Chazelle-directed film about an aspiring jazz drummer and his brutal instructor. Wilkins (@ton...

How to Write If/Else Expressions in After Effects

February 11, 2015, 03:28 PM

http://www.premiumbeat.com/blog/use-ifelse-stateme...

You don't have to be an expression master to use if/else statements in After Effects. We break down how and when to use them in the following post. The post How to Write If/Else Expressions in After Effects appeared first on The Beat: A Blog by PremiumBeat.

Key Code Media Bolsters Technical Expertise, To So

February 11, 2015, 03:28 PM

http://provideocoalition.com/news/story/key-code-m...

To support the growing IT challenges broadcast, post production, and corporate video face today, Key Code Media is strengthening its technical staff. With a focus in live production, collaborative editorial, storage/archive, media management, and content delivery, we are bringing on multiple...

NAB 2015: The Official Toolfarm Guide

February 11, 2015, 03:27 PM

http://www.toolfarm.com/blog/entry/nab_2015

Here’s everything you need to know about NAB 2015. This page will be updated with new information as soon as we get it. Consider it your main resource for NAB information!

Power of Story: Visions of Independence

February 11, 2015, 03:27 PM

https://www.aotg.com/power-of-story-visions-of-independence/

Kicking off Art of Film Weekend, a program celebrating the craft of filmmaking, join Robert Redford and George Lucas—two iconic filmmakers who epitomize the...

EditShare and Object Matrix Partner

February 11, 2015, 11:09 AM

http://www.editshare.com/about/about-us/press/item...

EditShare®, the technology leader in shared media storage and asset management solutions, today announced a new collaboration providing a unique integrated workflow with Object Matrix MatrixStore nearline and archive systems.

#editshare#media asset management#unique integrated workflow#object matrix matrixstore#production cycle
A few reference clips from the past few years

February 11, 2015, 10:31 AM

https://www.aotg.com/a-few-reference-clips-from-the-past-few-years/

This is "A few reference clips from the past few years." by SIDE FILMS for Dreamworks.

Avid Customers Triumph at the BAFTA® Film Awards

February 11, 2015, 10:30 AM

http://feeds.avid.com/~r/AvidPressRoom/~3/3AF3EXRH...

Winners and nominees embrace Avid Everywhere to create films honored at the U.K.’s most prestigious film awards

Avid has strong showing at BAFTA Awards

February 11, 2015, 10:30 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BURLINGTON, MA — The British Academy Film Awards 2015 were hosted by the British Academy of Film & Television Arts (BAFTA) in London  recently, and Avid’s tools were used on many of the nominees, including the Best Film winner, Boyhood. Fellow nominees  The Grand Budapest Hotel, The Theory Of Everything, Birdman and  The Imitation Game all employed Avid tools in their workflow.

Oscar-Nominated VFX Supervisor Paul J. Franklin on

February 11, 2015, 10:30 AM

http://www.studiodaily.com/2015/02/oscar-nominated...

On Sunday, Interstellar won the BAFTA award for best visual effects, an award presented fittingly as it turned out by Dr. Stephen Hawking.  Hawking’s long-time friend Dr. Kip Thorne, a renowned astrophysicist famous for his work on black holes and … more » The post Oscar-Nominated VFX Supervisor Paul J. Franklin on Interstellar appeared first on Studio Daily.

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