To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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Today the Sundance Institute and the Karen Schmeer Film Editing Fellowship hosted the inaugural gathering of fiction and non-fiction editors at the Sundance Film Festival's Art of Editing Brunch. Editor Joe Bini (Grizzly Man, We Need to Talk About Kevin) gave the keynote.Watch the clip reel of Karen's work featured at today's brunch:

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Jo Arghiris has joined MPC Los Angeles as executive producer for VFX. In her new role she will work closely with managing director Andrew Bell and alongside executive producer Elexis Stearn to build and strengthen client relationships, oversee operations and manage production teams. Arghiris began her career in production at MPC in London and has over 15 years of VFX advertising experience. Before rejoining MPC, Arghiris rose through the ranks at The Mill working across London, New York,...

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https://www.videoguys.com/Blog/E/G+Technology+Seed...

G-Technology, a leader in delivering premium storage solutions, today announced a partnership with Seed&Spark, a community crowdsourcing ecosystem that enables independent filmmakers to fund, promote and distribute their projects. Kicking off at Sundance, the partnership will inspire and educate the Indie filmmaking community through support of Seed&Spark's crowdsourcing platform, while giving them access to the professional tools and resources necessary to make their visual concepts and dreams

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http://www.philiphodgetts.com/2015/01/you-need-to-...

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http://www.premiumbeat.com/blog/8-creative-videos-...

These videos don't conform to standard aspect ratios...and the results are amazing. The post 8 Creative Videos with Unusual Aspect Ratios appeared first on The Beat: A Blog by PremiumBeat.

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https://www.aotg.com/how-animation-works/

How does animation work? You need a team. Working together. Doing all kinds of jobs. And the best place to find any job, in any industry is on the world's #1...

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In this pilot episode of DaVinci Resolve in Under 5 Minutes, filmmaker and colorist Alexis Van Hurkman will show you how to you DaVinci Resolve’s image stabi...

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New York-based commercial production company Hornet has opened up a new outpost in London’s Shoreditch district.

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