To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Art of the Cut Podcast Eps. 11 (w/ Angel Has F

September 4, 2019, 06:31 AM

https://www.provideocoalition.com/the-art-of-the-c...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows... The post The Art of the Cut Podcast Eps. 11 (w/ Angel Has Fallen Editor Gabriel Fleming, ACE) appeared first on ProVideo Coalition.

Dalet Cube NG Brings Advanced Broadcast Graphics

September 4, 2019, 05:52 AM

https://www.dalet.com/news/new-dalet-cube-ng-bring...

Upgraded graphics platform features expanded digital graphics workflow and creation capabilities powered by leading Brainstorm real-time graphics engine, redesigned architecture and full news production integration

#graphics#dalet#dalet cube
ART OF THE CUT with Oscar nominee, Sandra Adair, A

September 3, 2019, 01:10 PM

https://www.provideocoalition.com/art-of-the-cut-w...

Sandra Adair, ACE, has a lengthy list of awards, starting with an ACE Eddie nomination for editing School of Rock (2004), and including an ACE Eddie win and an Oscar nomination for Boyhood (2014). Starting work as an assistant editor in the mid-70s, she graduated to the editor’s chair and also worked on features such... The post ART OF THE CUT with Oscar nominee, Sandra Adair, ACE appeared first on ProVideo Coalition.

Let’s Edit with Media Composer – Getting Start

September 3, 2019, 09:12 AM

https://www.provideocoalition.com/lets-edit-with-m...

In this lesson, Kevin P McAuliffe gives you a great introduction to the awesome Particle Illusion effect, included in the 2019.5 version of Continuum from Boris FX. We’re going to look at adding this effect to a real world scenario, and the end result shows that this effect can add an additional layer of realism... The post Let’s Edit with Media Composer – Getting Started with Particle Illusion appeared first on ProVideo Coalition.

FCP.co Live Show 3 We Welcome Steve Bayes and Prev

September 3, 2019, 09:11 AM

http://www.fcp.co/final-cut-pro/articles/2205-fcp-...

Join ex FCPX product manger Steve Bayes, Sam Mestman, Ronny Courtens with host Felipe Baez on our live chat on YouTube. We welcome Steve and Ronny to FCP.co and talk about what we expect from IBC 2019.

At last, easy Blend modes come to Avid Media Compo

September 3, 2019, 05:47 AM

https://www.provideocoalition.com/at-last-easy-ble...

Blend modes, composite modes, whatever you want to call them, they have been elusive in Avid Media Composer since day one. There are third party tools that have always been able to help out (they could be expensive). The often suggested round trip to After Effects has always been a workable though painful option but... The post At last, easy Blend modes come to Avid Media Composer appeared first on ProVideo Coalition.

Steve Bayes Joins FCP.co and Previews IBC 2019

September 3, 2019, 05:47 AM

http://www.fcp.co/final-cut-pro/articles/2204-stev...

We are very pleased to welcome Steve Bayes to FCP.co as a regular contributor. Steve up until a year ago was the product manager for Final Cut Pro X, so although he can't talk about future FCPX plans, we look forward to him sharing his 30 years of post production wisdom with us.

After Effects Classic Course: Shadow/Highlight

September 2, 2019, 01:59 PM

https://www.provideocoalition.com/after-effects-cl...

In addition to creating motion graphics, we are both also into mixed media art, which often means trips through Photoshop to process imagery that will be part of our final works. We shoot all of our photos using Camera Raw (it’s the digital equivalent of the negative, compared to the normal JPEG which is the... The post After Effects Classic Course: Shadow/Highlight appeared first on ProVideo Coalition.

CO-EDITING “DARK PLACE”

September 1, 2019, 06:00 AM

https://www.screeneditors.com.au/co-editing-dark-p...

By Adrian Powers and Lawrie Silvestrin ASE "Dark Place" - "Scout", "Foe", "Vale Light", "Killer Native”  by Adrian Powers. "Dark Place" is an Indigenous Horror Anthology commissioned by the ABC and Screen Australia (in collaboration with AFTRS) as part of the ‘Shock Treatment’ initiative — a program designed to find and foster new Indigenous Australian filmmaking […]

MY ‘MASTERCHEF’ EXPERIENCE

September 1, 2019, 06:00 AM

https://www.screeneditors.com.au/my-masterchef-exp...

By Joni Campbell The ASE has had contact recently with Bus Stop Films who run a film school for, and make films with, people with an intellectual disability and others from marginalised communities. They are coordinating the development of an Inclusive Filmmaking Toolkit to support production companies and creatives to feel more confident and be better equipped to […]

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