To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX Supervisor Adam Lambert on the spot that opene

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https://www.themill.com/stories/makers-at-heart-vf...

As the creative engine room of the world’s biggest brands we are driven by one purpose: to solve our client’s toughest briefs beautifully. Our Makers believe in the power of cooperation and partnership to deliver ambitious ideas to that break new ground and deliver awe-inspiring creative work.

FMX 2021 Announces Initial Line-Up of Confirmed Sp

February 2, 2021, 01:16 PM

https://www.awn.com/news/fmx-2021-announces-initia...

Program includes sessions with director Glen Keane on the making of ‘Over the Moon;’ RISE’s Florian Gellinger and their first in-house productions, ‘Dragon Rider’ and ‘Stowaway;’ and MR. X’s creative team discussing the film adaption of ‘Monster Hunter’ video game; project submissions being accepted until February 22 for Animation Product Days.

GravitEase For Maya is Not Just Another Tweening T

February 2, 2021, 01:14 PM

https://lesterbanks.com/2021/02/gravitease-for-may...

Brian Horgan’s new GarvitEase lets you control spacing and easing using the law of falling bodies. Admittedly, there are many tools out there that allow you to control easing in Maya’s Graph Editor more quickly.

Avoid These Mistakes Rendering Glass in Octane

February 2, 2021, 01:14 PM

https://lesterbanks.com/2021/02/avoid-these-mistak...

Arthur Whitehead covers some common mistakes when rendering glass and how to correct them. The subtleties in rendering things like glass and plastic are delicate. Working “the right way” is all the difference between what

Pastiche 2 Adds Stippling, Color, and Loop Feature

February 2, 2021, 01:13 PM

https://lesterbanks.com/2021/02/pastiche-2-adds-st...

Motion Boutique’s Pastiche 2 for Adobe After Effects gets a new update. Motion Boutique, the creators of one of the first physics engines for After Effects Newton 2, have updated Pastiche, the After Effects tool that

EVERYTHING SOUND – SA

February 2, 2021, 01:13 PM

https://www.screeneditors.com.au/everything-sound-...

5:30pm for a 6:00pm start, Thursday Feb 11th, Adelaide Studios Mix Theatre Register for a free ticket on Eventbrite: https://www.eventbrite.com.au/e/everything-sound-tickets-128721899667

Sundance Q&A: Editor Jeff Boyette on James Redford

February 2, 2021, 01:13 PM

https://postperspective.com/sundance-qa-editor-jef...

Amy Tan: Unintended Memoir is a biopic of best-selling author Amy Tan (“The Joy Luck Club”) that focuses on the evolution of Tan’s relationship with her mother. To understand her own life, Tan examines her childhood and the experiences of her mother and grandmother in China, uncovering multigenerational trauma that has been the impetus for much of Tan’s writing. Continue reading → February 1, 2021 The post Sundance Q&A: Editor Jeff Boyette on James Redford’s Amy Tan Biopic appe...

LAIKA Sets Up Stop-Motion Animation Studio

February 2, 2021, 01:13 PM

https://collider.com/laika-studios-bowie-state-uni...

LAIKA makes beautiful, handcrafted stop-motion animated films rife with personality and panache (if you need a refresher on their CV, check out this exclusive Thanksgiving short they made with all their characters).

How Pro Tools Carbon Uses Colour

February 2, 2021, 01:13 PM

https://www.pro-tools-expert.com/home-page/how-pro...

Pro Tools Carbon is an all in one tracking solution for anyone wanting to record bands. With its combination of features specifically aimed to solve the ever-present issues which tracking with native processing based systems inevitably involves - principally latency when tracking.

Bunnies, planes and blood stains: the VFX of 'The

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https://beforesandafters.com/2021/02/02/bunnies-pl...

The HBO Max series The Flight Attendant probably as a lot more visual effects in it than you think.

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