It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 6, 2012, 10:26 PM
http://masteringfilm.com/creating-motion-graphics-...
Another selection of "hidden gems" (and essential advice), this time from Chapter 25 of Creating Motion Graphics with After Effects. We're going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few "hidden gems" from each chapter. These will include essential advice for new users, plus...
February 6, 2012, 10:24 PM
http://www.digitalrebellion.com/blog/posts/how_to_...
Much has been written about the missing features in Final Cut Pro X when compared with FCP 7. One particular missing feature that has been causing workflow problems for some people is the inability to add chapter markers to an exported QuickTime movie for displaying on an iOS device or Apple TV.
February 6, 2012, 10:22 PM
http://www.variety.com/article/VR1118049770.html
Director Alexander Payne will receive the American Cinema Editors' Golden Eddie filmmaker of the year award at the 62nd annual ACE Eddie Awards ceremony Feb. 18 at the Beverly Hilton.
February 6, 2012, 10:21 PM
http://www.extremestorms.com/ipad.htm
This demo will show you how to import footage directly from the Canon 5D2 into the Ipad, edit the footage, and export out to your own FTP site uncompressed or various common sites like YouTube, Vimeo, Facebook, etc.
February 6, 2012, 10:19 PM
http://ninofilm.net/blog/2012/02/06/updating-final...
Today a very practical blog post for everyone who still has to rely on Final Cut Pro 7 for a lot of their work (like me), despite trying to phase it out slowly (which isn't too easy when you don't have time to really learn another software – oh well!).
February 6, 2012, 10:17 PM
http://www.videography.com/article/116018
With shooting beginning in May and the edit gearing up in September, the team had three months to edit and deliver the incredible events leading up to the widely anticipated 2011 Army/Navy game. With this tight schedule, including just 11 days between the Army/Navy game and the show's airdate, Director/ Producer Peter Radovich, Jr. and Producer Steve Karasik enlisted frequent collaborator and Emmy-winning Sixteen19 creative editor Anthony Cortese for the cut.
February 6, 2012, 08:49 PM
http://www.blogtalkradio.com/moviegeeksunited/2012...
The Movie Geeks present their annual series of interviews with this years crop of Oscar nominees. In this episode, Best Editing nominee Kevin Tent (Sideways, About Schmidt, Blow) dicusses the editing process behind director Alexander Paynes The Descendants starring George Clooney. For more information and additional interviews from the Movie Geeks United Oscar Series...
February 6, 2012, 07:16 PM
http://www.cinemaeditormagazine.com/2012/01/cuts-w...
Brian De Palma made his name in the 1970s as a master of the Hitchcockian suspense thriller, but in later years, he also gained notoriety for his ultraviolent, popular gangster epics–particularly Scarface in 1983 and the Oscar-nominated The Untouchables in 1987.
February 6, 2012, 07:16 PM
http://www.cinemaeditormagazine.com/2012/01/digita...
I can't remember a time when our industry wasn't hell bent on faster, better, cheaper, but this is the first I can recall such a willful disregard of tried and tested gear, pipelines and people. Since the advent of high-end digital cameras, we've all been so wooed and mesmerized by the...
February 6, 2012, 03:18 PM
http://www.csc.ca/news/default.asp?aID=1540
The relationship between an editor and a director of photography is like a long-distance romance, according to Bomb Girls editor Teresa De Luca C.C.E. You really have to appreciate the sort of unspoken, unwritten creative aspect that each of the two creative people bring to the table. We try to show off each other's best work. Even though in this day and age, especially in television, the editor does not work side by side with the DOP, De Luca says, The way that we're a team is that...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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