To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Be Heard with AvidPlay

August 1, 2019, 05:46 AM

http://www.avidblogs.com/be-heard-with-avidplay/

The post Be Heard with AvidPlay appeared first on Avid Blogs.

Adobe AE Selected For Netflix Post Technology Prog

July 31, 2019, 01:26 PM

https://www.cgw.com/CGW-Blog/2019/July/Blog-Adobe-...

Adobe After Effects gives us a lot to celebrate. It empowers artists to explore infinite possibilities on screen, from fantastical planets and otherworldly creatures, to gravity-defying car chases, carved out of nothing but imagination.

2019: The year of affordable 3D

July 31, 2019, 01:26 PM

https://www.provideocoalition.com/2019-the-year-of...

With the announcement of Maya Indie and the release of user-friendly Blender 2.8, the democratization of high-end 3D animation has finally arrived. Back in the nineties, an aspiring animator could expect to pay upwards of $80,000 USD for a software license of their favorite 3D animation package. Over the last two decades the prices have... The post 2019: The year of affordable 3D appeared first on ProVideo Coalition.

DaVinci Resolve 16 and Fusion 16 – Beta 7 Now Av

July 31, 2019, 09:01 AM

https://www.cinema5d.com/davinci-resolve-16-fusion...

Blackmagic Design has just announced the release of DaVinci Resolve 16 and Fusion 16 Beta 7. It looks like the final version is right around the corner, nearly five months after its first appearance at NAB 2019. Let’s take a closer look at it.

Foundry's Nuke now part of Netflix's Post Techno

July 30, 2019, 09:44 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Foundry (www.foundry.com) has joined the Netflix Post Technology Alliance (https://pta.netflixstudios.com) with Nuke, its node-based compositor, which is now part of the “VFX” technology category. The Netflix Post Technology Alliance (PTA) program helps companies who build and market products used in the production and delivery of Netflix Original productions. The program is designed specifically for technology partners, including software and hardware developers of tools...

Apple Motion isn't just for Final Cut Pro X. - La

July 30, 2019, 09:44 AM

https://www.youtube.com/watch?v=CcD6s3bYFj0

LACPUG was very happy to have Larry Jordan back after much too long a time. Larry showed tricks you can do with Motion that don¹t require any design skills. Plus, he showed how to use Motion projects in Avid, Premiere and Final Cut. Learn once - use everywhere! NOTE: Larry often speaks about the dark screen due to LACPUG's projector having a burned out second bulb. We don't have this problem as we have digitally captured straight from the computer. Hosted by Michael Horton. In Coll...

ART OF THE CUT with the editors of “Spider-Man:

July 30, 2019, 09:43 AM

https://www.provideocoalition.com/aotc-spidermanff...

Spider-Man: Far From Home was edited by veteran MCU (Marvel Comics Universe) editor, Dan Lebental, ACE, and another experienced big-budget editor, Leigh Folsom Boyd. Lebental’s credits include Dead Presidents, Elf, Iron Man (I and II), Cowboys and Aliens and many MCU films. Leigh Folsom Boyd’s filmography includes Fast and Furious (6 and 7), Ant-Man, and... The post ART OF THE CUT with the editors of “Spider-Man: Far from Home” appeared first on ProVideo Coalition.

Westlife’s The Twenty Tour Uses Blackmagic Desig

July 30, 2019, 09:43 AM

https://www.provideocoalition.com/westlifes-the-tw...

Blackmagic Design equipment ranging from the URSA Mini Pro 4.6K digital film cameras and ATEM 4 M/E Broadcast Studio 4K were used as part of a live production workflow by The LED Shed on the UK and Ireland legs of Westlife’s The Twenty Tour. Opening at Belfast’s SSE Arena, the UK and Ireland tour has... The post Westlife’s The Twenty Tour Uses Blackmagic Design Live Solutions appeared first on ProVideo Coalition.

Dalet Announces New Dalet Brio

July 30, 2019, 08:31 AM

https://www.aotg.com/dalet-announces-new-dalet-brio/

Flexible, high-density I/O platform enables controlled transition to IP; Passes JT-NM SMPTE ST 2110 testing

#dalet#dalet digital media systems#ip#dalet brio#smpte st 2110

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