To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Laurel Canyon Live Uses Ultimatte

January 21, 2021, 07:26 PM

https://www.aotg.com/laurel-canyon-live-uses-ultimatte/

Blackmagic Design today announced that Laurel Canyon Live is building a state of the art live streaming venue with Blackmagic Design gear, including Ultimatte 12 compositing processors, ATEM Constellation 8K live production switcher, URSA Mini Pro 4.6K G2 digital cameras and more. Laurel Canyon Live will serve as a space for artists, content creators, media and entertainment companies, and more to stream performances and events against dynamic virtual backgrounds in real time.

#blackmagic design#teranex#davinci resolve studio#decklink 8k pro
TV Capital Makes Headlines with Dalet

January 21, 2021, 03:43 PM

https://www.aotg.com/tv-capital-makes-headlines-with-dalet/

Grupo Record expands its collaboration with Dalet to modernize its programming and news operations across stations

#dalet#dalet galaxy five#tv capital
Talking Monsters with VFX Super Denis Berardi

January 21, 2021, 12:30 PM

https://www.animationmagazine.net/vfx/playing-the-...

Filmmaker Paul W.S. Anderson extends his relationship with Japanese video game publisher Capcom beyond the Resident Evil franchise with the new action-packed sci-fi movie Monster Hunter. Partnering with Anderson on this year-end thrill ride are producers Jeremy Bolt and Dennis Berardi, who also serves as the visual effects supervisor on the cinematic adaptation.

Behind the scenes of this 'Stranger Things' monste

January 21, 2021, 12:30 PM

https://beforesandafters.com/2021/01/21/go-even-mo...

In this fun exploration featuring Rodeo FX’s animation supervisor Yvon Jardel, the studio breaks down the Tom/Bruce monster they worked on for season 3 of Stranger Things.

His Dark Materials - Season 2: Russell Dodgson –

January 21, 2021, 12:29 PM

https://www.artofvfx.com/his-dark-materials-season...

Russell Dodgson has been working at Framestore for over 10 years and before taking care of the visual effects of the His Dark Materials series, he worked on projects such as Harry Potter and the Deathly Hallows: Part 1, Black Mirror and Mars.

MLK/FBI Director and Editor on Building a Fruitful

January 21, 2021, 12:29 PM

https://www.moviemaker.com/mlk-fbi-director-sam-po...

MLK/FBI director Sam Pollard and editor Laura Tomaselli on their Do's and Don'ts of a great director-editor collaboration.

Kirk Baxter on editing David Fincher’s Mank

January 21, 2021, 12:29 PM

https://postperspective.com/kirk-baxter-on-editing...

By Oliver Peters David Fincher’s Mank follows Herman Mankiewicz during the time he was writing the classic film Citizen Kane. Mank, as he was known, wrote or co-wrote about 40 films, often uncredited, including the first draft of The Wizard of Oz. Together with Orson Welles, Continue reading → January 20, 2021 The post Kirk Baxter on editing David Fincher’s Mank appeared first on postPerspective.

NYC’s Preymaker Adds VFX Artist Ruben Vandebroek

January 21, 2021, 12:29 PM

https://postperspective.com/nycs-preymaker-adds-vf...

NYC’s Preymaker, a creative and technology studio launched last fall by industry leaders Angus Kneale, Melanie Wickham and Verity Grantham, has added VFX artist Ruben Vandebroek to its team. Vandebroek brings experience that combines creative and technical expertise in CGI and emerging technology. Vandebroek will be a leading creative and technical force at Preymaker with a wide remit, Continue reading → January 20, 2021 The post NYC’s Preymaker Adds VFX Artist Ruben Vandebroek appe...

Art Of The Cut Podcast Eps. 83 (“Seduced: Inside

January 21, 2021, 12:29 PM

https://www.provideocoalition.com/art-of-the-cut-p...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...

How to Work With Dynamic Paint to Create a Paint R

January 20, 2021, 01:33 PM

https://lesterbanks.com/2021/01/how-to-work-with-d...

Blender Made Easy shows how to lay down paint using Blender’s Dynamic Paint. Dynamic paint in Blender is a handy tool. It’s a modifier and physics system that allows you to paint objects, creating vertex colors.

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