To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

HEVC Vs. VP9 Which will win?

December 4, 2014, 10:15 PM

http://www.tvtechnology.com/article/hevc-vs-vp-whi...

NEW YORK—Internet video has become a practical medium for the delivery of video content to consumers. What has made this possible is the development of video compression, which lowers the enormous amount of bandwidth required to transport video to levels practical with most Internet connections. In this article, we'll examine some of the technical and business issues associated with two video codec frontrunners: HEVC and VP9.

Burning Question: Where can I get Spherical Map HD

December 4, 2014, 10:15 PM

http://www.toolfarm.com/blog/entry/spherical_map_h...

Spherical Map HDRI (High-Dynamic Range Imaging) is something that seems to be known by many names: Spherical Environment Maps, Spherical Reflection Maps… Whatever you prefer to call it, an HDRI is a full-circle panoramic image that can be used to create unique lighting for really realistic 3D renders. Here’s more about HDRI and where you can get them, and a bit of extra information that you may find useful.

Forbidden Technologies Announces Powerful Update

December 4, 2014, 10:15 PM

http://soundandpicture.com/2014/12/forbidden-techn...

London, UK – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today it has released the new version of Forscene with a completely redesigned interface befitting Forscene’s professional capabilities. In addition, they have revamped both the company website and the Forscene product website in order to give visitors more relevant, in-depth information about each and to bring the company’s complete digital ...

Model sheets for Cindy Lou Who and Max by Chuck...

December 4, 2014, 10:15 PM

http://directedbychuckjones.tumblr.com/post/104353...

Model sheets for Cindy Lou Who and Max by Chuck Jones for his 1966 television special, “Dr. Seuss’ How the Grinch Stole Christmas.” Max plays an important part in the film as he represents the viewer; he knows what the Grinch is doing is wrong, but as dogs do, he obeys his Grinch (human, companion, et al.) Graphite, Xerox, glue on 12 field animation paper.

Boris TV, Episode 231: Quicktime to AVI Conversion

December 4, 2014, 10:14 PM

https://www.youtube.com/watch?v=J2wZivBFH3M

Still need to use Quicktimes in the 64-bit version of RED? Learn how to circumvent the lack of a 64-bit PC version of Quicktime by using EDIUS and its native intermediate Grass Valley HQ/HQX codec. Find out how easy it is to prepare AVI files in EDIUS to use in RED. Plus, save your project into the Library Browser and open it in Media Composer.

The Power of EQ in Mastering with Grahame Cochrane

December 4, 2014, 10:14 PM

https://www.youtube.com/watch?v=RbZio5GwJ6s

Grahame Cochrane explains how most of good mastering is EQ. http://cr8.lv/gccompeqmcyt In this clip from the CreativeLive EQ Master Class, Graham of The Reco...

Tutorial Thursday: Drag in MIDI Patterns from IK M

December 4, 2014, 03:50 PM

http://www.avidblogs.com/tutorial-thursday-drag-mi...

The article Tutorial Thursday: Drag in MIDI Patterns from IK Multimedia SampleTank 3 to Pro Tools 11 and Edit with Ease by Brian Gerding appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..

8 After Effects Plugins Every Motion Designer Shou

December 4, 2014, 03:50 PM

http://www.premiumbeat.com/blog/after-effects-plug...

These are the 8 After Effects plugins that you should have in your motion design arsenal! The post 8 After Effects Plugins Every Motion Designer Should Have appeared first on The Beat: A Blog by PremiumBeat.

Pro Media Tools 1.3.4 released - Video Check matte

December 4, 2014, 03:50 PM

http://www.digitalrebellion.com/blog/posts/pro_med...

We've just released Pro Media Tools 1.3.4, a minor update to our suite of media management tools.Video Check matte detectionIf your video is supposed to have a matte on it, Video Check can determine if it is the correct aspect ratio. It can flag up frames where the matte is missing or the wrong size.Other Video Check improvements include a reduction in flash frame false positives and the fact that detected problems are now listed by timecode instead of frame number.Gamma Shift Detector impr...

JoshCam, Free Maya Camera Rig Incorporates Best Fe

December 4, 2014, 03:50 PM

http://lesterbanks.com/2014/12/joshcam-free-maya-c...

Inspired by several camera rigs, Josh Janousky created the JoshCam combining their best used features...

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