To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Boston and London (PRWEB) December 03, 2014 Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
Boston and London (PRWEB) December 03, 2014
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
" target="_blank" class="external" permalink="https://www.aotg.com/objective-productions-uses-aframe/">Objective Productions Uses Aframe
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
December 4, 2014, 02:52 AM
Boston and London (PRWEB) December 03, 2014
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
Boston and London (PRWEB) December 03, 2014
Objective Productions, one of the UK’s most influential independent production companies, has used Aframe as its cloud video platform for a variety of its ground-breaking productions.
Objective Productions produces cutting edge and innovative shows for a range of television broadcasters including Channel 4, BBC, ITV and Sky amongst others, and has recently used Aframe to expedite production of Channel 4’s “Toast of London,†Sky 1’s forthcoming “King of the Nerds†and also to help manage part of its long running Channel 5 archive series.
Objective Productions first started working with Aframe in 2013 following an event held by All3Media. Looking for a system which could help speed up the post production process, Objective Productions felt Aframe could be of use for a number of the productions it was working on at the time.
Using Aframe for one of the Channel 5 archive shows, Objective Productions found that streamlining the upload and reviewing process was of significant use as there were a variety of people who needed access to the footage across the company and its offices, externals commissioners and broadcast executives.
Aframe helped Objective Productions to implement a process that meant editors and edit producers could upload packages to Aframe themselves, without requiring a post production operations team - thus removing a potential backlog as there could be up to 20 packages to upload in a single day.
Louise Davis, post production manager, Objective Productions, commented:
“The Aframe solution completely transformed the way we approached this project. It made our processes smoother, was able to save us time and meant that the footage could be viewed by the whole team as and when necessary. It became a ‘must have’ for the next batch of archive shows in the series.â€
Objective Productions also used Aframe during the production of its award-winning comedy series for Channel 4, “Toast of London,†written by Matt Berry and Arthur Mathews. Aframe was used to upload rushes at the end of each filming day in order for the series director, director of photography and producers to view and review the daily rushes and make comments from wherever they were.
“With ‘Toast of London,’ we needed a seamless process to make sure the whole team had daily access to what was being shot. It also provided the offline editors the ability to upload daily rough cuts so the team on set could review and comment on the filming so far, making the editing process far slicker. We had tried and tested other options and vendors but Aframe’s workflows were much better suited to our needs and proved to be much more cost effective,†said Davis.
More recently Objective Productions has used Aframe during the edit of its Sky 1 series “King of the Nerds.†Based on the hit US format, the series will air on Sky 1 in 2015. As with “Toast of London†Aframe was used to upload daily , enabling the edit producers the ability view and prepare what they were going to edit a week in advance, making the process quicker. Davis comments, “Aframe was a great help during the production of “King of the Nerds†as it made it possible for proxy files of the rushes to be uploaded directly from location by the data wrangler and made available for the relevant teams to review.
“Overall Aframe has helped us to reform the way we manage the post production processes and has substantially changed our workflows for the better. The workflow is more efficient and transparent and on top of that the cost for the service they provide is exceptionally good. I really enjoy working with Aframe and their internal teams and look forward to using them on many more projects moving forward.â€
About Aframe
Aframe is a cloud video production system with capabilities in collaboration, review and approval, archive and tagging. Already many thousands of video professionals around the world rely on Aframe to organize and streamline video production or as an adjunct to existing media asset management (MAM) solutions. Aframe users upload their raw video footage from wherever they are in the world onto Aframe’s cloud, securely store it there, and share it with anyone, anywhere as they collaborate on TV, film, corporate video or advertising spots. The timecode-specific metadata that Aframe users generate can be transferred directly from the cloud into any of the top 3 NLE platforms. Once there, the metadata relinks with the original media – retaining all user changes automatically. If desired Aframe can provide logging services that makes video discoverable and expedite finding the perfect clip.
Aframe also can serve as a cloud-based MAM architecture to centralize a library of production and broadcast-ready video assets and supporting documentation. For more information visit http://www.aframe.com.
" target="_blank">http://aframe.com/blog/2014/12/objective-productio...Aframe’s cloud video platform substantially changes Objective’s workflows for the better with “Toast of London” and “King of the Nerds”
Digital Production Buzz – December 4, 2014
December 3, 2014, 07:52 PM
http://www.digitalproductionbuzz.com/2014/12/digit...
On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Jordan Kelly Montgomery, David Foley, and Tom Coughlin: Creating “Deliverables" from Finished Projects Delivering 4K Media to the Home The Future of Storage Technology
14 Movie Special Effects You Won't Believe Weren't
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https://www.aotg.com/14-movie-special-effects-you-wont-believe-werent/
See more of Tom and Alec's behind-the-scenes footage at their Youtube Page https://www.youtube.com/user/studioAD and check out trailers for their upcoming in...
Video Editing Storage Solutions
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http://www.premiumbeat.com/blog/video-editing-stor...
In this post we examine several popular video editing storage solutions and determine the best for professional use. The post Video Editing Storage Solutions appeared first on The Beat: A Blog by PremiumBeat.
Flowbox Sets Out To Be The Worlds Most Powerful Co
December 3, 2014, 07:46 PM
http://lesterbanks.com/2014/12/flowbox-sets-worlds...
Flowbox FX seeks to be more than just another node based compositor, giving high end users the next generation cloud based compositing tools and platform.
Huge Sound Effects Sale Going On At Sonniss
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http://news.doddleme.com/blogs/post-production/hug...
Sound effects. We don’t talk about them nearly enough; they make our films believable, they give them layers. And they mean we can have shoot-outs that sound more believable than the real thing. So when a site offers their entire effects library on sale for the next thirty days, you can bet we’ll talk about it.
Sunset Overdrive - Behind the Music
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http://soundworkscollection.com/news/sunset-overdr...
Taking you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.
Log LUTs vs. 709 LUTs - What's The Difference?
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https://www.aotg.com/log-luts-vs-709-luts-whats-the-difference-2/
This short tutorial explains the difference between a Rec.709 LUT and a Log LUT and when to use each one. V - LUTS for Blackmagic and More...
Listen To Ice Crack Apart In A Frozen Lake
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http://soundworkscollection.com/news/listen-to-ice...
What does water sound like? Most of us identify the element with a trickling or gentle lapping or sloshing sound, but that’s only in its liquid form. When water freezes into ice, it becomes a lot louder. There are cracks and creaks and crashes as large chunks of ice break up; the best example being the thunderous sounds heard as enormous blocks fall off glaciers. Frank Bry, operating as The Recordist, went out on North Idaho’s Round Lake in February 2012 to pick up these unique sounds.
Think Of Your Room As One Large Speaker
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https://www.aotg.com/think-of-your-room-as-one-large-speaker/
Today we’re going to talk about why you need to think if your room as one large speaker. It’s a little bit of a push on the analogy but I think if we look at...
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