It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 2, 2014, 03:42 PM
http://vfxserbia.com/2014/12/02/intervju-sasa-krie...
Rođen sam u Brčkom 1981. godine, živim i radim u Beogradu. Od malena sam pokazivao interesovanje za crtanje, a posebno za sferu stripa. Sa 3D-om sam se susreo prvi put na jednom forumu, kada sam video neverovatne kreacije umetnika Rafaela Grasetija, Marca di Luce i Mihai Darange; istraživao sam i saznao za program ZBrush koji je u to doba bio tek u povoju. Program koji radi na principu digitalnog vajanja, koji ne sputava kreativnost komplikovanim opcijama, dugmićima i ostalim me je oduševi...
December 2, 2014, 12:49 PM
http://www.artofvfx.com/?p=10181
Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts’o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST.
December 2, 2014, 12:49 PM
http://bourkepr.typepad.com/my_weblog/2014/12/comp...
You may well know ZERO VFX for their amazing visual effects work in feature films and television commercials. They transformed the cities of Boston and Worcester into a gritty 1970s New York City for American Hustle. They made Denzel Washington just a bit more bad-ass in The Equalizer. And now they're also making some bad-ass software for post pros.
December 2, 2014, 12:49 PM
http://www.pixarpost.com/2014/12/42nd-annual-annie...
Pixar's latest 30-minute television special, Toy Story That Time Forgot just received seven well deserved nominations across multiple categories for the 42nd Annual Annie Awards taking place on January 31, 2015. We cannot praise the cast and crew members on each team enough for such a great addition to the Pixar library of films.
December 2, 2014, 12:48 PM
http://www.animatorisland.com/the-magic-is-not-in-...
As some of you might have seen in the talkback video, I recently started learning magic… well, magic tricks since real magic doesn’t seem to exist, it’s as close as I can get. It’s not only a relaxing hobby, it also taught me a lot that I can use for animation and storytelling. While I expected to learn things like directing attention or providing information in a such a way that it will not be questioned by the audience, the scope of the biggest lesson caught me a little off guard: It...
December 2, 2014, 12:47 PM
http://feeds.avid.com/~r/AvidPressRoom/~3/8l8s1dqZ...
DHX Media leverages Avid MediaCentral Platform to manage and distribute popular children’s programming to audiences worldwide
December 2, 2014, 12:47 PM
http://www.postmagazine.com/Press-Center/Daily-New...
BOSTON — Visual effects house Zero VFX (www.zerovfx.com) has launched its first software plug-in via its newly-formed software division, Code Zero Software. The Compression Preview plug-in enables After Effects artists to preview sequences prior to rendering; check for unwanted artifacts, banding and color shifts; and make tweaks and changes to the compression parameters to ensure the best possible end product.
December 2, 2014, 12:46 PM
http://renderplease.com/post/104165609735
Me:
December 2, 2014, 12:46 PM
http://provideocoalition.com/industryexclusive/sto...
As the product marketing manager for HP’s remote graphics software, or RGS, I’m keenly aware of how productions of all sizes have been impacted by our solution. On large productions we’ve seen different groups who are working on different things use HP RGS to instantly share...
December 2, 2014, 12:46 PM
http://www.cceditors.ca/c-c-e-members-at-whistler-...
A LIFE IN DIRTY MOVIES Buy Tickets In the world of softcore porn, only three directors ever received any serious critical attention: Russ Meyer, Radley Metzger and Joe Sarno. This Swedish documentary visits the 88 year-old Joe Sarno and his devoted wife (and regular star in his movies) Peggy Steffens in their cluttered apartment in
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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