To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Tiffen Company Releases Major Upgrade to Dfx

November 24, 2014, 02:18 PM

http://www.prweb.com/releases/2014/11/prweb1233791...

The Tiffen Company has announced the release of the highly-anticipated version 4 of the multiple award-winning Tiffen Dfx digital filter suite. A powerhouse among special effects software, Tiffen Dfx 4 delivers even more illustrious video and still image effects to its already extensive package.

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#editing#davinci resolve#sony vegas#tiffen#photography#cinematography#photography software#dfx#digital filters#nles#video software
The Avid Media Composer Licensing Plan

November 24, 2014, 12:45 PM

http://blog.dvfanatics.com/2014/11/the-avid-media-...

For those of you in the US, happy Thanksgiving week. For everyone else, happy last week of November. December is the last month Avid Media Composer editors have to decide whether to continue with the Avid Media Composer as a subscription or as a perpetual license that can be upgraded annually.

0 0 0 Blog
Is the Audio-Technica BP4029 the perfect cinéma-v

November 24, 2014, 12:45 PM

http://kino-eye.com/2014/11/24/audio-technica-bp40...

In an ideal world I’d have a ninja-class boom operator with me on all of my documentary shoots, but short of that I usually place a wireless lavaliere on my subjects in order to capture the best dialogue possible while providing then with mobility along with the intimacy of a small crew.

0 0 0 Blog
Avid Everywhere Brings Foo Fighters Sonic Highways

November 24, 2014, 12:44 PM

http://feeds.avid.com/~r/AvidPressRoom/~3/4Fpgwq3t...

HBO documentary series deploys Avid MediaCentral Platform for fast, collaborative workflows to manage huge volumes of footage and tight timescales

0 0 0 Industry News
Skilled After Effects User? Even You Might Not Kno

November 24, 2014, 12:44 PM

http://lesterbanks.com/2014/11/skilled-effects-use...

Sergei Prokhnevskiy walks through 22 useful tricks in After Effects, some of which you may have never heard of.

0 0 0 Tutorial
Arguing with production about how files should be

November 24, 2014, 12:44 PM

http://renderplease.com/post/103469012925

0 0 0 Humour
How To Cut A Demo Reel That Will Land You High Qua

November 24, 2014, 12:44 PM

http://www.premiumbeat.com/blog/cut-demo-reel-will...

A killer demo reel is the biggest asset you have when trying to pick up work in the film industry. Unfortunately though, many talented directors, DPs and editors don’t understand what it takes to cut a great reel, and end up losing work because of it. The post How To Cut A Demo Reel That Will Land You High Quality Work appeared first on The Beat: A Blog by PremiumBeat.

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G-Technology G-SPEED Studio 4-bay Review

November 24, 2014, 12:43 PM

https://www.videoguys.com/Blog/E/G+Technology+G+SP...

The new G-SPEED Studio 4-bay, along with the G-SPEED Studio XL 8-bay and G-RAID Studio 2-bay, characterizes HGST G-Technology's new Studio line of customizable media-oriented attached storage devices. The G-SPEED Studio, with its maximum capacity of 24TB (using four 6TB 7200RPM HGST HDDs), delivers a reported transfer speed of 700MB/s and can handle multi-stream compressed 4K and 2K workflows in both pre- and post-production. The entire Studio line is designed to embody the minimalism commo...

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Animation Triumphs at Children's BAFTA's

November 24, 2014, 12:43 PM

http://www.skwigly.co.uk/animation-triumphs-childr...

The 2014 Children’s BAFTA’s took place this year at the Roundhouse in London, celebrating the art of children’s television making in a glitzy ceremony. As a staple of the children’s television diet, animation came out on top with some fantastic shows taking home awards that evening. Karrot entertainment achieved a well deserved win for Sarah & Duck a show which has been waiting patiently for this kind of recognition for a long time. Aardman’s Shaun the Sheep took home a BAFTA ahead of ...

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Mystique FX X-MEN Days of Future Past VFX Breakdow

November 24, 2014, 12:43 PM

http://www.cgmeetup.net/home/mystique-fx-by-salah-...

Mystique FX by Salah Hussein: Inspiration come from X-MEN Days of Future Past VFX Breakdown. This FX is Procedural so you can apply it to any mesh you want, If you speant more on this effect you can make better. Its Very simple Effect and you can make with PF.

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