To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Read my article: The Innovative Interpretati...

December 31, 2011, 02:50 PM

https://www.editorsguild.com/FromTheGuild.cfm?From...

Whenever editors begin a film, they enter into completely new territory and must adjust to and understand the director's way of working and thinking. Editor Jay Rabinowitz, A.C.E., has traveled among a particularly diverse group of directors and has been able to immerse himself in their worlds — while showing the courage and ingenuity to surprise them, which is what really sets an editor apart.

The Buddy System

December 31, 2011, 10:14 AM

http://fixitinpostprod.wordpress.com/2011/12/30/th...

Any editor will tell you that the actual act of editing is a solitary experience. You get in to your suite, lock the door, black out any windows and don't come out until your masterpiece is complete. The problem is reaching the endgame with a sense of objectivity. By being so secluded and glued to [...]

Smoke Basics: Working with Source Clips

December 31, 2011, 10:14 AM

http://bkmeditor.wordpress.com/2011/12/31/smoke-ba...

Library vs. Editdesk The Library in Smoke is where you import your clips from various file or tape sources. The library acts as a safe for your clips and they are protected there from edits. The Editdesk is your desktop workspace where all editing is done. You can imagine an invisible wall between the Library...

former editor Araujo Brazilian Inacio

December 31, 2011, 10:07 AM

http://editorunderconstruction.blogspot.com/2011/1...

(In Spanish) The well-known Brazilian crtico also work as a fitter in 10 movies.

Peeping Tom – interview with Thelma Schoonmaker

December 31, 2011, 10:07 AM

http://www.fluxmagazine.com/index.php/film/peeping...

Thelma Schoonmaker, arguably the greatest living film editor, has worked alongside director Martin Scorsese for the past thirty-plus years. When not making movies together the pair set about raising funds to restore the works of Powell and Pressburger. Schoonmaker, married to Michael Powell from 1984 – 1990, has recently been doing the press rounds to promote the restoration of Powell's most reviled work, Peeping Tom.

Colloquium - The film and its offices

December 31, 2011, 10:06 AM

http://editorunderconstruction.blogspot.com/2011/1...

(In Spanish) Four espaol known film editors gave a talk on the job of editor for the Academy of Cinema. In the VCR estn Jos Salcedo, Teresa Font, Aledo and Alejandro Lzaro IVN.

2011 becomes 2012

December 31, 2011, 10:06 AM

http://colorgrader.net/index.php/contact/colorgrad...

When I started Colorgrader.net about 8 month ago I had no idea what the site was going to be. I just wanted to share my knowledge and the news I found on the web about new software and hardware that are used in color grading.

Happy 2012 – More free downloads

December 31, 2011, 10:03 AM

http://www.angietaylor.co.uk/happy-2012-more-free-...

Well another year almost over. I'm looking forward to 2012, hoping that it's a better year for our industry and for all my friends. I have a couple of exciting bits of news to share and more free downloads so here's my final blog for the year.

How to Use Raw Red Video Natively

December 31, 2011, 10:01 AM

http://blogs.creativecow.net/blog/11018/how-to-use...

Learn about how to use work with Red video natively (actual raw video) in this tutorial on Adobe Premiere Pro and After Effects. This video is part of the book Motion Graphics with Adobe Creative Suite 5 Studio Techniques.

Singular Software Brings PluralEyes to FCP X

December 31, 2011, 09:58 AM

http://magazine.creativecow.net/article/singular-s...

Singular Software, a Vancouver-based company that develops workflow automation applications for video production, has released PluralEyes, an app that automatically synchronizes audio and video clips without the need for timecode, for Apple Final Cut Pro X as a public beta offering.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.