To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Quick Tip: Working with Proxies in FCP

January 13, 2021, 01:48 PM

https://www.cined.com/proxies-in-final-cut-pro/

Proxies are smaller, low-resolution versions that serve as a substitute for the original camera media when your computer is not powerful enough to smoothly handle high-resolution material or demanding codecs. Since the Final Cut Pro 10.4.9 update, a few things have changed regarding proxies. I’ll show you a few new ways to work with proxies in Final Cut Pro in this Quick Tip video.

Color Grading Netflix’s The Crown

January 13, 2021, 01:47 PM

https://postperspective.com/color-grading-netflixs...

By Randi Altman Since its arrival on Netflix in 2016, The Crown has been an obsession for many on both sides of the pond. Based on real events, the series, which is streaming its fourth season now, offers viewers a glimpse of what the royals might actually be like behind closed doors. Continue reading → January 12, 2021 The post Color Grading Netflix’s The Crown appeared first on postPerspective.

Sound Particles’s New Energy Panner Plugin

January 13, 2021, 01:47 PM

https://postperspective.com/sound-particless-new-e...

Sound Particles has introduced a different approach to panning with the release of its new plugin, the Energy Panner. The plugin uses the intensity of a sound to control its movement automatically — a tool that combines dynamics with spatial definition to modify and enhance mix elements, sound effects and more. It is available now for a discounted price of $39 until January 31, Continue reading → January 12, 2021 The post Sound Particles’s New Energy Panner Plugin appeared first on p...

Sony’s 360 Reality Audio now gets video

January 13, 2021, 01:47 PM

https://www.provideocoalition.com/sonys-360-realit...

Introduced in 2019, Sony’s 360 Reality Audio gets an update in time for CES 2021, with the expansion of the services, which include adding new video streaming capabilities and content creation tools. Sony’s 360 Reality Audio is a revolutionary musical experience, powered by Sony’s spatial sound technologies, that evokes feelings of being in a music [...]Read More...

Western Digital: the new 4TB portable SSDs

January 13, 2021, 01:47 PM

https://www.provideocoalition.com/western-digital-...

Consumers and professionals now have more space to create, as the new 4TB drives from Western Digital are built to keep up with today’s high-quality content demands. SanDisk, WD_BLACK and My Passport are three Western Digital brands consumers know well, and the whole lineup is now offered with expanded capacity options, as the company announced [...]Read More...

PVC Podcast Eps 31: Doing it all – “Monsters o

January 13, 2021, 01:47 PM

https://www.provideocoalition.com/pvc-podcast-eps-...

On todays episode of the PVC podcast, guest hosts Matt Jeppsen and Dean Friske chat with director Mark Toia about the making of his killer robot debut feature “Monsters of Man.” Matt and Dean talk with Mark about how he created the slick sci-fi thriller, and the challenges in self-financing and self-distributing the film. Enjoy [...]Read More...

Istanbul’s Bando Post Uses DaVinci Resolve Studi

January 12, 2021, 08:07 PM

https://www.aotg.com/istanbuls-bando-post-uses-davinci-resolve-studi/

Blackmagic Design has today announced that Turkish post facility, Bando Post, has deployed DaVinci Resolve Studio throughout its pipeline, including edit, visual effects, sound design and final grade.

#blackmagic design#davinci resolve studio
Tones and I's Fly Away Used DaVinci Resolve Studio

January 12, 2021, 08:04 PM

https://www.aotg.com/tones-and-is-fly-away-used-davinci-resolve-studio/

Blackmagic Design today announced that Visible Studios used DaVinci Resolve Studio for color correction and editing on “Fly Away,” the newest music video by global singing sensation Tones and I. DaVinci Resolve Studio was also used for VFX and sky replacements for the video, which includes dramatic scenes of people levitating and flying.

#blackmagic design#davinci resolve studio#davinci resolve mini panel#davinci resolve editor keyboard
5 Edit-Friendly Tips Every Filmmaker Should Know

January 12, 2021, 06:11 PM

https://www.premiumbeat.com/blog/editing-tips-ever...

Take a look at the tutorial below for tips on shooting a film like an editor. When you’re done, follow up with the step-by-step transcription of this tutorial below it.

Songbird: Dan Levitan – Overall VFX Supervisor &

January 12, 2021, 06:10 PM

https://www.artofvfx.com/songbird-dan-levitan-over...

In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a various shows including War Dogs, The Last Man On Earth, Station 19 and Veronica Mars.

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