It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 6, 2014, 10:25 AM
http://renderplease.com/post/101933678600
November 6, 2014, 10:25 AM
http://www.redsharknews.com/production/item/2156-d...
David Fincher's Gone Girl could have used a "traditional" workflow, but opted for the combination of Adobe Premiere Pro CC and After Effects CC. Here's why: Gone GirlAdobeAfter EffectsAfter Effects CCPremierepremiere proPremiere Pro CCDavid FincherBen Affleck
November 6, 2014, 10:25 AM
http://lesterbanks.com/2014/11/overview-zbrush-war...
Joe Grundfast walks through creating the War Hammer concept using Zbrush & 3ds Max looking at some hard surface sculpting, damage and weathering techniques
November 6, 2014, 10:25 AM
http://www.cgmeetup.net/home/the-maze-runner-vfx-b...
Watch Vfx created by Method Studios for THE MAZE RUNNER. The Maze Runner is a science fiction action thriller directed by Wes Ball based on James Dashner’s 2009 book of the same name.
November 6, 2014, 09:34 AM
http://www.imagineersystems.com/news-article/imagi...
Imagineer Systems announced today the availability of mocha Pro 4.1 and mocha Plus 4.1. A free update for existing mocha 4 users, version 4.1 adds a number of new features, including open spline mask export, spline warp export for NUKE, and support for OpenEXR 2.0.
#3d#vfx#post production#mocha#adobe after effects#imagineer systems#nuke#planar trackingNovember 6, 2014, 06:00 AM
http://feedproxy.google.com/~r/industryhappenings/...
December 6 & 7, 2014 Where: Hideaway Pictures/Northern Ontario Film Studios 828 Beatrice Cresent, Sudbury, ON Time: 10 am to 4 pm each day Instructor: Hoi F. Cheu, Associate Professor – Laurentian University Fee: $75 – 1 day and $125 – 2 days Participants will learn the principles of editing as follows: Saturday Morning: Structural Principles from Shot to Shot (Concepts: Classical Narrative Structure, Coherence and Flow, Plot Time and Screen Time) Saturday Afternoon: Linear Time and Co...
November 6, 2014, 06:00 AM
http://feedproxy.google.com/~r/industryhappenings/...
Retouching and Reshaping REGISTER NOW: https://www4.gotomeeting.com/register/358050983 As high definition and 4K rapidly become the norm, there are more calls for digital beauty work in typical post-production. Formerly a hidden practice for photo retouchers, digital makeup and modification can help elevate your actor’s performance and production. Learn how mocha’s planar tracking and new open spline workflow can be used to reshape, relight and retouch moving footage. This month’s free...
November 6, 2014, 06:00 AM
http://www.fcp.co/final-cut-pro/tutorials/1542-the...
There's not much about metadata that Philip Hodgetts doesn't know. He's put together this quick trip around how Final Cut Pro X reads, displays and generates metadata.
November 6, 2014, 06:00 AM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
Project Arro was our technology preview designed to enable Autodesk Simulation Mechanical, Autodesk Simulation CFD, and Autodesk Simulation Moldflow users to rapidly simplify and prepare CAD for simulation. Project Arro reads in native CAD geometry and neutral files, allowed users... (...)
November 6, 2014, 06:00 AM
http://provideocoalition.com/kmcauliffe/story/medi...
In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he gives you a general overview of Media Composers interface, and starts his talk about bins, and why organization is the key to getting your edits done to time, and on time!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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