To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

David Fincher's Gone Girl: First Hollywood Featur

November 6, 2014, 10:25 AM

http://www.redsharknews.com/production/item/2156-d...

David Fincher's Gone Girl could have used a "traditional" workflow, but opted for the combination of Adobe Premiere Pro CC and After Effects CC. Here's why: Gone GirlAdobeAfter EffectsAfter Effects CCPremierepremiere proPremiere Pro CCDavid FincherBen Affleck

Joe Grundfast Offers an Overview for His ZBrush Wa

November 6, 2014, 10:25 AM

http://lesterbanks.com/2014/11/overview-zbrush-war...

Joe Grundfast walks through creating the War Hammer concept using Zbrush & 3ds Max looking at some hard surface sculpting, damage and weathering techniques

The Maze Runner Vfx Breakdown

November 6, 2014, 10:25 AM

http://www.cgmeetup.net/home/the-maze-runner-vfx-b...

Watch Vfx created by Method Studios for THE MAZE RUNNER. The Maze Runner is a science fiction action thriller directed by Wes Ball based on James Dashner’s 2009 book of the same name.

Imagineer Systems Releases mocha 4.1

November 6, 2014, 09:34 AM

http://www.imagineersystems.com/news-article/imagi...

Imagineer Systems announced today the availability of mocha Pro 4.1 and mocha Plus 4.1. A free update for existing mocha 4 users, version 4.1 adds a number of new features, including open spline mask export, spline warp export for NUKE, and support for OpenEXR 2.0.

#3d#vfx#post production#mocha#adobe after effects#imagineer systems#nuke#planar tracking
Ontario Canada – Editing Workshop

November 6, 2014, 06:00 AM

http://feedproxy.google.com/~r/industryhappenings/...

December 6 & 7, 2014 Where: Hideaway Pictures/Northern Ontario Film Studios 828 Beatrice Cresent, Sudbury, ON Time: 10 am to 4 pm each day Instructor: Hoi F. Cheu, Associate Professor – Laurentian University Fee: $75 – 1 day and $125 – 2 days Participants will learn the principles of editing as follows: Saturday Morning: Structural Principles from Shot to Shot (Concepts: Classical Narrative Structure, Coherence and Flow, Plot Time and Screen Time) Saturday Afternoon: Linear Time and Co...

Online – Webinar: mocha for Beauty Work

November 6, 2014, 06:00 AM

http://feedproxy.google.com/~r/industryhappenings/...

Retouching and Reshaping REGISTER NOW: https://www4.gotomeeting.com/register/358050983 As high definition and 4K rapidly become the norm, there are more calls for digital beauty work in typical post-production. Formerly a hidden practice for photo retouchers, digital makeup and modification can help elevate your actor’s performance and production. Learn how mocha’s planar tracking and new open spline workflow can be used to reshape, relight and retouch moving footage. This month’s free...

The Power of Metadata Views in Final Cut Pro X by

November 6, 2014, 06:00 AM

http://www.fcp.co/final-cut-pro/tutorials/1542-the...

There's not much about metadata that Philip Hodgetts doesn't know. He's put together this quick trip around how Final Cut Pro X reads, displays and generates metadata.

Project Arro for Simulation Mechanical/CFD/Moldflo

November 6, 2014, 06:00 AM

http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...

Project Arro was our technology preview designed to enable Autodesk Simulation Mechanical, Autodesk Simulation CFD, and Autodesk Simulation Moldflow users to rapidly simplify and prepare CAD for simulation. Project Arro reads in native CAD geometry and neutral files, allowed users... (...)

Media Composer 101 - Lesson 4 - Composer Overview

November 6, 2014, 06:00 AM

http://provideocoalition.com/kmcauliffe/story/medi...

In the next lesson of Kevin P McAuliffe's "Media Composer 101" tutorial series, he gives you a general overview of Media Composers interface, and starts his talk about bins, and why organization is the key to getting your edits done to time, and on time!

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