To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Hey Everyone, Bins, as we know, are the centerpiece of your workflow(s). They are what will make for a smooth edit, or a potential rocky one as well. In this Let’s Edit lesson, we’re talking Bin View Modes. Now, you might be thinking “I have no idea what that even means!”. Well, Bin View Modes [...]Read More... from Let’s Edit with Media Composer – Lesson 13 – Bin View Modes
How the GPU took over the world
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Review: Digital Anarchy’s Transcriptive Rough Cutter
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By Brady Betzel One of the most underpromoted features in nonlinear editing is editing from a script. Avid Media Composer’s ScriptSync has been the gold standard for years. Over the past few years, as AI-based transcription has become more popular, there have been a few other options popping up. Recently, Adobe Premiere Pro has added AI-based transcription included in the cost of the Creative Cloud price. Continue reading → January 13, 2022 The post Review: Digital Anarchy’s Transcriptive ...
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Picture Shop to Open Dailies Facility at UK’S Pinewood
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Passing uses 4:3 for sublimely good cinematography
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HBO Max Makes Major Editing Error in Harry Potter
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https://www.entrepreneur.com/article/411429
The long-awaited reunion special, Harry Potter 20th Anniversary: Return to Hogwwarts, arrived via HBO Max on New Year's Day, bringing fans of the series back into the world of wizardry with special interviews and commentary from the original cast.
Depth Scanner for After Effects: Create Depth Maps on Video Instantly
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In this video tutorial, we'll learn how to create depth passes on footage using the After Effects plugin Depth Scanner.
Director Sean Baker on Editing Red Rocket, VFX and Post
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By Iain Blair Since making his first film, Four Letter Words, back in 2000, indie writer/director/editor Sean Baker has created a body of work that is provocative, edgy and heartfelt. His last film, The Florida Project, premiered at Cannes in 2017 and went on to earn an Oscar nomination for co-star Willem Dafoe. Continue reading → January 11, 2022 The post Director Sean Baker on Editing Red Rocket, VFX and Post appeared first on postPerspective.
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